Jonas Kaufmann: Cavalleria Rusticana / Pagliacci

With war and acts of violence in the background, Aida tells the story of a fascinating and tense love triangle between the Egyptian princess, Amneris, Ramades, an officer, and Aida, a Nubian princess, captured and reduced to slavery. The historical scenes and triumphal marches, which have contributed to the popularity of this opera, are followed by intimate but powerful duets and introspective moments of great intensity.

Tristan, King Marke’s most loyal vassal, takes the Irish princess Isolde to Cornwall to be married off to his master. During the journey, Isolde uses a deadly poison in an attempt to extinguish the intense but unspoken love between her and Tristan that had arisen beforehand. Isolde’s confidante Brangäne, however, replaces the poison with a love potion. From that moment, Tristan and Isolde become inseparably linked. Their secret love is soon betrayed to King Marke by the jealous Melot, who also fatally wounds Tristan. He is brought to his island, longing for one final meeting with Isolde before he dies. When she eventually comes, he himself pulls open his wound and collapses in her arms. Isolde follows him, dying in the most sublime ecstasy.

Having disposed of his enemies, Lucio Silla is now all-powerful. He wants to marry Giunia, but underestimates how much she hates him. After all, he has not only had her father murdered, but has also banished her beloved, Cecilio. At first, Giunia is misled into thinking that Cecilio is dead; with the help of Cinna, however, the lovers manage to meet up again. The power of love and Cinna’s machinations finally persuade Silla to relinquish his power.

Tsar Saltan marries the youngest of three sisters, having heard that it is her dearest wish to present him with a heroic son and heir. Her jealous sisters and the old Aunt Barbaricha cannot bear this situation to persist and by trickery see to it that the Tsaritsa and her newborn son Gvidon are thrown into the sea. In their barrel they are washed ashore on an enchanted island where the rapidly growing tsar’s son saves a swan from the clutches of a wizard. In gratitude, the swan helps Gvidon to visit his native country once again in the guise of a bumblebee. Three wishes, three miracles and three bee-stings later, father and son are finally able to get to know each other.

An adaptation of Leos Janacek's opera Prihody Lisky Bystrousky (1925), based on the novel Liska Bystrouska by Rudolf Tesnohlidek. It follows the life of Sharp-Ears, a fox who is captured by a forester as a cub and raised in his home prior to escaping back into the forest.

O komínku zedníky laškovně nakřivo postaveném aneb Souboj pantátův se zedníky

Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!

In the forest, the animals and insects are playing and dancing. The Forester enters and lies down against a tree for a nap. A curious Vixen Cub inquisitively chases a frog right into the lap of the surprised forester who forcibly takes the vixen home as a pet. Time passes and we see the Vixen, now grown up into a young adult tied up in the forester's yard with the conservative old dachshund. Fed up with life in confinement, the vixen chews through her rope and runs off to freedom.

In the words of the prestigious German weekly 'Die Zeit,' the stage production of Wagner's 'Rheingold' and 'Walküre' by La Fura dels Baus 'quite possibly shows us the path that musical theater will be taking in the future.' There's no doubt about it: the Catalan city of Valencia is setting new accents in 21st-century opera not only with its spectacular new theater designed by Santiago Calatrava, but also with its visually transfixing production of Wagner's 'Ring' staged by Carlus Padrissa and his theater group La Fura dels Baus.

It has been a long time since the events of Das Rheingold. Wotan has fathered nine Valkyries, warrior women who bring dead heroes to Valhalla (the castle of the Gods). Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

Richard Wagner's dream of a Gesamkuntswerk becomes reality through La Fura dels Baus' visual fantasy and blending of video technology, lighting and props (often formed of human beings): Their 30 computer projections and organic structures built of athletic performers that recall Cirque du Soleil are predestined for Wagner's visionary expressive world.

This production from the historic Teatro Carlo Felice in Genova, Italy, stars the opera worlds power couple, Daniela Dessì and Fabio Armiliato, as lovers Tosca and Cavaradossi. A tragic tale of doomed love interlaced with the age-old themes of jealousy, lust and intrigue, has ensured Tosca its place in the top ten of opera favourites. Probably the best contemporary soprano-tenor combination (a couple in real life, too) Daniela Dessì and Fabio Armiliato are ranged against a worthy opponent in the form of Claudio Sgura as police chief Baron Scarpia.

Part of Tutto Verdi series - Falstaff (2011) Parma. 'Falstaff' is an opera in three acts by the Italian composer Giuseppe Verdi (1813–1901). The libretto was adapted by Arrigo Boito from Shakespeare's 'The Merry Wives of Windsor' and scenes from 'Henry IV, parts 1 and 2'. The work premiered on 9 February 1893 at La Scala, Milan

Part of Tutto Verdi series - Otello (2008) Salzburg. 'Otello' is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play 'Othello'. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on 5 February 1887.

Anthony Minghella’s beautiful, atmospheric production enhances Puccini’s drama of unfortunate, doomed love. Soprano Kristine Opolais brings all of her passionate commitment to her portrayal of Cio-Cio-San, the teenage geisha who gives up everything for Lt. Pinkerton. Roberto Alagna is the American naval officer who does not understand the depth of Cio-Cio-San’s love, and whose subsequent marriage to an American woman precipitates Butterfly’s suicide. Maria Zifchak is Suzuki, Cio-Cio-San’s faithful servant, and Dwayne Croft plays the American consul Sharpless, who tries to avert the tragedy. Karel Mark Chichon conducts.

Topi Lehtipuu and Anne-Catherine Gillet star in the 2012 Opera National de Paris production of Jean-Philippe Rameau's opera Hippolyte et Aricie. Also starring Sarah Connolly and Stephane Degout.

Nicholas Hytner's enchanting production, sung in the original Czech, is conducted by Sir Charles Mackerras, a master of the best Janacek style. Through myriad shifts of scene, the episodic story is presented in brightly-colored sets and costumes of blissful innocence and simplicity, designed by Bob Crowley. Jean-Claude Gallotta's choreography for the insects and animals, and Jean Kalman's lighting add to the nostalgically poetic effect of the whole. With Thomas Allen as the Forester, the cast includes Eva Jenis, Hanna Minutillo, Richard Novak and Ivan Kusnjer. This live recording comes from the Theatre du Chatelet in Paris.

Ever since its premiere in Turin in 1896, La bohème has been a huge hit with audiences across the world. Within two years, it had been seen in Buenos Aires, Los Angeles, Prague, Berlin, Manchester and beyond. With over 500 performances chalked up at Covent Garden alone, this opera is one of the most popular and enduring in the repertoire. In this performance from 2020, Sonya Yoncheva stars as the doomed seamstress Mimì, with Charles Castronovo as Rodolfo, who falls in love with her at first sight. Simona Mihai and Andrzej Filonczyk perform the roles of the on-off lovers, Musetta and Marcello. Poverty and passion collide in a story of friendship and fellowship, love and loss. Featuring some of Puccini’s best-loved music, this performance is conducted by Emmanuel Villaume.

This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.