The Hugo Chavez Show

The early struggles of the working class are placed under a microscope in Plutocracy III: Class War, the latest chapter in an exceptionally well produced series which explores the origins of America's growing economic divide.

Oda a un día de verano

What’s next for Venezuela after the dramatic fall of Nicolás Maduro? In a documentary from the filmmakers behind A Dangerous Assignment, FRONTLINE and The Associated Press investigate the legacy of corruption in Venezuela, the challenges to democracy, the conflict with the U.S., and the fight over who will control the oil-rich country.

We live in a world dominated by crisis, imperialist war and exploitation. We're told there is no alternative to cuts, privatisation, hunger and homelessness. The Bolivarian Revolution illustrates what can be achieved when governments and people working together, put human need before capitalist profits. Despite Chavez's death in 2013, the process is being built every day by President Maduro and millions of Venezuelans working to create a society built on collective socialist organisation and production. Venezuela provides an inspiring example of how the fight against austerity can develop into a fight for socialism. This film takes you on that journey through the barrios, universities and workplaces to meet the political activists, students and workers who are changing their future. Alongside the achievements of socialist Cuba, Venezuela shows that not only is another world possible, but this world is being built today in Latin America.

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary's conscript army, using contemporary videos.

Espejo de Agua is a non-fiction short film set in Venezuela 's Sinamaica Lagoon, Zulia, where the Añú people are silently displaced due to climate change. Community leader Laura and the inhabitants of the lagoon, inside and outside their homeland, cling to the hope that it is not too late for changes and preserve their ancestral culture.

This documentary tells the story behind "Indeleble", the album with which Los Mesoneros received four Latin Grammy nominations and toured many countries. "10 Años de Indeleble" features interviews, stories, and songs that had never seen the light of day, along with a live show in which Los Mesoneros perform, in order, the songs that were part of that first record.

A young film director returns to Venezuela, inspired to make a film based on his father's life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.

Gerry Weil: Una historia de jazz

Congrès de Tours 1920: The Birth of the French Communist Party

A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.

Do Útero Ao Túmulo

The First Year tells the inside story of Jamie Driscoll’s first 12 months as the new North of Tyne Mayor.

During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”

In Lake Maracaibo, a land formation created by oil dredging accidentally created a biodiversity sanctuary: an island covered in mangrove forest.

Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.

Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.

Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.

A portrait of a remote area in the rural north of Nicaragua facing difficulties with the revolutionary process. It follows Marlon Stuart, the regional FSLN political organiser, at the time of the 1984 elections.

The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.