Let's Sing Grandfather's Favorites

Oksana (played by Sofia Rotaru) is a young and beautiful Carpathian girl. On the "Donetsk-Verkhovyna" train she becomes acquainted with a young miner from Donetsk called Boris. The travellers fall in love, but are parted when they arrive at their destination. In the Carpathian mountains their paths diverge, but Boris (played by Vasyl Zinkevych, soloist of the instrumental band "Smerichka") discovers where she is staying. The couple meet again and rekindle their love. Their friends invite them to perform in a concert for vacationers at a mountain resort, where they sing about their feelings for each other.

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.

Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.

A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.

'Blind Bob' has written a song and the folks at the music publishing company think that Joe Frisco, his old friend from the Bowery is just right for it. So we see Joe at stage doing his peddler routine. He goes over to the publishing company, where he flirts with a girl act, and then tries out some eccentric dancing to the new song, which happens to be 'Get Happy.'

Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.

The female vocal ensemble Singing Babies, founded by Edmund Fritz, puts on a gig.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.

An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.

Concert film from The All-American Rejects an American rock band from Stillwater, Oklahoma, formed in 1999.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

When you’re young, some of your strongest and most rewarding relationships are with your friends. The kind who support you to become who you really are. Inspired by U-turn and classic girl crew nostalgia, we want to celebrate those kinds of bonds with this short film from director Emma Higgins.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

The animated film was created based on the fables of Sergey Mikhalkov "Cautious birds" and "Hare in the hops." Drake with his assistants arranges a performance on the forest stage for animals. He tells fables about forest dwellers from the stage.

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.

Before Brian Mills leaves for his first year at Princeton University, he must come to terms with his sexual orientation and be honest with himself after some guidance from his trusted barber.