Grüße aus Sarmatien für den Dichter Johannes Bobrowski

In this docudrama Rosa von Praunheim looks into Johann Wolfgang von Goethe’s sexual orientation, especially into his erotic experiences during his travels in Italy. Contrary to the common belief, von Praunheim argues that Goethe was not a heartbreaker and conqueror after all. It was only in Italy, that he had diverse sexual experiences, not least with men. Von Praunheim bases his assumption on letters written by Goethe to his friend Friedrich Heinrich Jacobi about these sexual encounters. Some of the content of these letters is re-encated in the film. At the same time, historians and linguists analyse and classify the letters into their historical context.

Anna Ditges accompanied Hilde Domin with her camera during the last two years of her life and in this way created a portrait of the artist - just as she experienced her: sensitive, brusque and headstrong, an egocentric with a biting sense of humor, lots of charm and increasingly affectionate towards the tenacious young woman with the camera. Hilde Domin (born 1909) tells the filmmaker, almost 70 years her junior, with great openness about her childhood in Cologne, 22 years in exile, her return to Germany, her late career as a poet, her great love for her late husband Erwin and her loneliness in old age.

A famous poet who hasn't written a word in two years unconsciously plagiarizes the work of Stefan George, while dealing with several mistresses, his dim-witted brother, and a murder investigation.

Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.

Second part of Hölderlin-trilogy with Udo Samel and Otto Sander in cast.

Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).

Atmospheric image from the Wars of Liberation. The poet Theodor Körner, who was later killed in battle, is shown reciting a poem while the soldiers listen with emotion.

Sky and walls, a liana of water pipes, dilapidated backyards, cracks in walls, cracked walls full of lost, enigmatic children's signs, rusty railway station grounds, deserts, within them the figures, not conformed to the environment in their sightlessness and obsessive deformation to themselves. clinging to legalities of mechanisms that had become senseless and fused with them, that had perhaps once served them, hovering as if in a dream of condensed emptiness, without moving from the spot, they stumbled and rolled with the machines through sun-hardened, burnt-down landscapes, deflected only by objects, by congealed meteorites.

Visit to Ashok Kumar home.

With incredible intimacy, filmmaker Susanna Cappellaro documents her husband Scott’s decision to have an extrasensory device implanted into his body in order to increase his awareness of the world around him. As Scott goes further down this path, he can't understand his wife's resistance.

The wife is unhappy that her husband has not registered with the Home Guard like the other men.

Nikolai and Vegard were childhood friends who spent their free time on the ski slopes. Now, Nikolai has become a professional skier, while Vegard lives in caves and trains obsessively to complete a perilous and physically demanding ski tour. This is a story about friendship and setting ambitious goals.

I wanted to make a film about polyamory, because I firmly believed that I would love all partners equally. As a relationship became more intense, the foundations I wanted to explore began to conflict with the reality I was experiencing, and the direction of the film changed.

At the crossroads of arts, bodies and images merge to create a world of poetry and dreams.

Rouge, la couleur qui annonce le journal

A mini documentary about küçük İskender and his views on poetry.

Patrick Berhault - Il Gesto e La Grazia

Documentary about the life story of one of Argentina's sports idols. One of the forty-three soccer players who won a World Cup, a fight. Filmed in Mendoza, Santa Fé, Rosario and Buenos Aires.

There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

As the novel 『LimGeojeong』 becomes a great success, the publisher and the writer's bereaved family in North Korea meet to solve the copyright problem. Their exchanges between South and North Korea create another novel-like story that condenses issues in various fields including politics, economy, and culture together with concerns and hospitality.