Jindřich IV.

Marie Stuartovna

The life of Irishman George Howard who buys an English theatre and strives to improve the standard of musical entertainment. Set in the late 19th and early 20th centuries and loosely based on fact.

One of Vítězslav Nezval's most striking stories about unfaithful yet devoted love, full of suspenseful twists and turns and an enchanting chivalrous world, was first staged at the National Theater in 2016, losing none of its impressiveness and power. In 2021, Daniela Špinar, director of the original theater production, retold it in a highly original form using the language of film, shooting it as a film project in the authentic surroundings of the historic theater building.

Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.

The tragicomic orderly Ove on stage portrayed by Johan Rheborg in a acclaimed one-man show. Ove is getting quite tired of life. When one day his newly moved neighbors happen to back off his letterbox, an upsetting series of events begins for Ove and soon nothing is the same. In the stage version of Fredrik Backman's book.

Le voci di dentro

Ditegli sempre di sì

When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

Isabel is an Actress. Xavier wants to be a Director. Isabel is looking for Love. Xavier is looking for the Love of his Life. Isabel is stuck on a bad relationship. Xavier is looking for one. Isabel sings while Xavier watches. Will love rule the Ocean? Or will the waves strike hard on both of them?

Tony Roper wrote 'The Steamie' for Glasgow's Mayfest in 1987. Return to Hogmany 1957 when a fiesty group of Glasgow women; Mrs Culfeathers, Dolly, Doreen and the irrepressible Magrit, all meet at The Steamie to do the traditional family wash before the New Year. The Steamie is a hilarious cameo of Glasgow's social history where the washing was always easier to do when the Women shared their laugher and sorrow and a scandalous supply of gossip. This is the definitive version of the most popular play of the last 20 years with the all star cast of Dorothy Paul as Magrit, Eileen McCallum as Dolly, Kate Murphy as Doreen, Sheila McDonald as Mrs Culfeathers and a very young Peter Mullan as Andy, the whisky loving handy man.

Seisho Music Academy, Siegfeld Institute of Music, and Seiran General Art Institute are to put on a play as part of an exchange program between the three schools. With Yachiyo supervising Siegfeld, she and the five middle schoolers meet with Claudine, Futaba, and Suzu. The play they will be performing is Seisho's popular program "The Wartime of Farewells". As it had been previously revived with Kaoruko and Maya in the lead roles, Claudine and Futaba participate with an extraordinary resolve; meanwhile, Suzu gains a keen interest in Siegfeld's newborn raw gems. Following Regalia, each of them has taken a step forward as a Stage Girl, but Shiro alone remains without a reason to stand on stage. Shiro has been a servant of the Siegfeld family since childhood, and has lived her life solely for Stella's sake, giving everything up for her. However, her reason of being is shaken up once a camaraderie between Stella and Ryoko starts to develop after their revue.

Escorted by his valet Sganarelle, Dom Juan, a libertine gentleman, brave and hypocritical, seduces women, fights duels, denies his father's authority, and mocks Heaven. Carried away by his passion for women and gambling, he goes so far as to commit perjury. A classic revisited by Mesguich with a lot of visual effects: special effects, magic tricks, imposing sets. A playful staging for this tragi-comic play.

Daivathinte Swantham Cleetus revolves around Cleetus (Mammootty), a dreaded long-haired rogue. He surprises the parish priest (Siddique) by his uncanny resemblance to Jesus Christ in looks and mannerisms. He is roped in by the priest for the role of Jesus Christ for a light and sound show for their upcoming festival. His real self comes to the fore during rehearsals. The fact that he is a goon is revealed, yet the priest decides to persist with him in the belief that the experience of performing the noble character will lead to his transformation. Things change in the life of Cleetus after that. Events that occurred in the life of Jesus Christ start occurring in the life of Cleetus too. What happens to Cleetus and the people surrounding him form the rest of the story.

Jan Werich and Miroslav Horníček in the legendary play of the Liberated Theatre.

A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.

Orgon and his mother swear by Tartuffe, the self-styled devout who lives off them. The other members of the family, scandalized by the clergyman's hold over them, will do anything to expose his hypocrisy. Michel Bouquet plays an almost monstrous Tartuffe, whose only weakness lies in his feelings for Elmire.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.