Topiltzin

The Falcons is an intimate, observational documentary that delves into the world of the Tshakhruk Ethnoband, a remarkable musical ensemble in the Armenian highlands. Comprised of special-needs children that reside at the state orphanage, these young musicians find solace, strength, and self-expression through the transformative power of music.

A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.

Salvador : vivre sous Bukele

A production by Radio Venceremos in 1992. The documentary's central objective is to showcase Radio Venceremos' new role after the end of the armed conflict, portraying it as a radio station that would continue serving the needs of the Salvadoran people. The documentary includes some of Radio Venceremos' broadcasts during the Salvadoran peace process.

Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.

Filmed during the Salvadoran civil war, La luz que te decía documents the struggles of the country’s labor and trade union movement amid escalating political violence. Through strike footage, congress meetings, marches, and first-person testimonies, the film portrays a society marked by state repression, workers’ mobilization, and efforts to build national and international solidarity. The documentary pays particular attention to the strike of the National Water Authority workers (ANDA), featuring members of the SETA union who describe the causes of the protest, the repression they faced, and the survival strategies adopted during the conflict. Testimonies from other unions, grassroots organizations, and international labor groups broaden the film’s perspective beyond a single labor dispute.

What if from one day to the next, you’re no longer seen, but instead are stared at? The leading characters in this multi-layered film have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: where are you from, do you speak Dutch, do you tan in the sun?

Children get ready to start the first grade. They start learning the first letters.

Six California kids test their brains and talents against students in Odyssey of the Mind, a problem-solving competition requiring mechanical, creative and intellectual skills. With little money and zero adult participation, the teens build a robot to tell a story about bullying, exclusion and mental health. But how does their solution measure up?

Vancouver s two leading authorities on sexism in the school system, Linfa Shuto and Reua Dexter, relate their opinions on the problem and some solutions that they are working on. The tape also includes a short historical look at women s position in education and a critical discussion on sex stereotype roles by Grade 6 students.

Onze de légende

Aconteceu, virou Manchete! A História da Rede Manchete

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

It documents the civil war in El Salvador, in its first 8 years, as well as the political movements, and the human rights violations that occurred.

Return to El Salvador explores the reconstruction of El Salvador, post-civil war. The film revisits the struggles of the nation and examines what drives over 700 Salvadorans to flee their homeland each day, often risking their lives to illegally enter countries in search of a better life for their families. The film also profiles a number of Salvadorans effected by the civil war. One couple, who fled death threats in the 1980s, finds asylum and a political platform in the United States. The film also follows a different couple who, after escaping the war, returned to El Salvador to work with churches and poor communities.

In a quiet Rajasthani village, young Ali clings to his cricket bat as his friends chase it. What starts as playful mischief reveals a film crew struggling to finish their shoot, blurring childhood and the fragile magic of cinema.

Young Chinese-Canadian Susan Yee gives a tour of Montreal.

Echoes of Lamu tells the story of Alpha ODH, a painter from Nairobi, who travels to Ubunfiu Lamu art center to inspire local children through art. His goal is to help them “cut” through reality to imagine and build their own world through painting. Alpha becomes a guide and creative companion. While the children decorate symbolic Aknuloonk sculptures with local patterns and stories, Alpha paints his own AKNEYE sculpture, slowly shifting from urban imagery to the colorful spirit of Lamu. Scenes of the village, its people, and the children’s hopes reveal a place full of contrast daily life and dreams, city and island, past and future. Step by step, Alpha’s artwork becomes a mirror of the journey they’ve all shared.

Daulatdia is an entire village in Bangladesh dedicated to prostitution. Every day, 1,600 trafficked, enslaved and abandoned women and girls sell themselves for £2 a time. In the midst of the trade live 300 children, many born in the village. Some will be groomed to be the future of the business like their mothers and grandmothers. With education programmes and support provided by Save The Children, a few may find their way out.

During a camping weekend, Indian filmmaker Poorva Bhat tries to find the right way to discuss consent with her two children. In the intimacy of the tent, the three find the safe space needed to explore together the innocence or otherwise of looks and gestures, both in everyday life and in the cinema.