Die Abenteuer eines Ermordeten, 1. Teil - Die Flucht aus dem Leben

Through a kindly act Broncho Billy earns the deep gratitute of Marion Rivers, who presents him with a Bible. Not long afterwards, she comes upon him as he is about to hold up the stage, but at sight of the girl he is overwhelmed with shame and taking out the little Bible promises her that he will live honorably. In the meantime, Marion's father holds up the stage at another point, and one of the stagecoach drivers, mounting a bareback pony, rides off for the sheriff. Broncho Billy sees Rivers get away with the money, and when he hears the sheriff and his men coming, for Marion's sake he goes to warn her father. To shield him, he takes the bags of money and rides away with the men after him. He leaves the money at the mile post with a note saying: "SAheriff, I'm through with Bear County, this stick-up was my last", and rides across the border. (Moving Picture World Synopsis)

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.

An oil heir and the daughter of a social climbing family are set to marry.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

A shop girl finds herself disgraced after being pressured into drinking too much at a party and getting arrested for public drunkenness.

This early Chaplin film has him playing a character quite different from the Tramp for which he would become famous. He is a rich, upper-class gentleman whose romance is endangered when his girlfriend oversees him being embraced by a maid. Chaplin's romantic interest in this film, Minta Durfee, was the wife of fellow Keystone actor, Roscoe "Fatty" Arbuckle.

The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.

Although only a dental assistant, Charlie pretends to be the dentist. After receiving too much anesthesia, a patient can't stop laughing, so Charlie knocks him out with a club.

Mabel tries to sell hot dogs at a car race, but isn't doing a very good job at it. She sets down the box of hot dogs and leaves them for a moment. Charlie finds them and gives them away to the hungry spectators at the track as Mabel frantically tries to find her lost box of hot dogs. Mabel finds out that Charlie has stolen them and sends the police after him. Chaos ensues.

Three men compete for the attentions of a pretty girl. One of them, a little tramp, plays dirty.

The hero, a janitor played by Chaplin, is fired from work for accidentally knocking his bucket of water out the window and onto his boss the chief banker (Tandy). Meanwhile, one of the junior managers (Dillon) is being threatened with exposure by his bookie for gambling debts unpaid. Thus the manager decides to steal from the company.

A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.

No one has time to talk to the crazy lady in the park, except for a sensible man who happened to be passing by.

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

Six burglars separately break into the Vickers mansion on Long Island to loot the safe but catch each other in the act. They all pretend to be members of the household when locked in by a well meaning police officer.

A new young couple struggles to keep their relationship afloat.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.