Deep in Mexico two brothers sit in a plaza discussing a broken fuel pump. In a few days they will leave for work. With their father and some friends they will ride a bus 1,300 miles north and enter the United States by walking through the desert. They call America “El Otro Lado,” the other side.
Three boys and three girls. All born in the Middle East now living in Sweden. All with different views of Islam, integration, the World and Sweden. Some follow Sharia. Others fight Islamic roles. One is a hip hopper. The other thinks music is a sin. One thinks that the woman must obey her husband. One fights for women’s liberation. One girl is a boxer. The other is an ordinary worker. Some are closely followed by the Security Police. Children of Islam is a documentary about religion, culture, conflicts and looking for an identity in a changing Sweden.
Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.
A generational trauma through the lens of an Asian American teenager through food and poetry.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Mohammed Alsaleh, a young Syrian refugee, is rebuilding his life after being granted asylum in Canada. In Vancouver, he counsels and helps resettle newly-arrived Syrian refugee families so that they may find new homes and begin again.
Documentary Film maker, Mark Brown, attempts to discover the damaging effect the over-spilling immigrant population has on the coastal city of Calais, France.
A short film / documentary that depicts the daily grind of first-generation immigrants in Australia.
In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.
MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.
Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.
In Surinamers in Nederland: De terugkeer van het zwarte goud, we see Surinamese people arriving in the Netherlands, unsure of what to expect, and being packed into overcrowded boarding houses. The government's idea is that they should then be integrated into society as quickly as possible. This was to be done by the Centraal Bureau Uitvoering Vestigingsbesluit Rijksgenoten, set up in 1974.
Chema is an expat architect from Spain who lives in Amsterdam. He has built up a new life there as a wind-up toy maker. He creates small pieces of art from recycle items.
During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.
Une vie en transit, ou l'illusion du provisoire
As a Palestinian refugee, Ahmad escaped from Lebanon to Germany 40 years ago. In a conservative and strict way, he raises his six children in Berlin Neukölln. His oldest son, the filmmaker, talks to his father, interviews his siblings and tries to understand how war, escape and exile affect a human being.
Private-sector rented accommodation for the Surinamese and Antillean Dutch who increasingly moved to Amsterdam from these former colonies in the early seventies was woefully inadequate. In 1982, André Reeder graduated from The Netherlands Film Academy (NFTVA) with Onderneming onderdak (The Price of Shelter) – a documentary about this appalling situation.
La Langue de Zahra
"Take my love" is a documentary film about "Las Patronas", a group of women who daily cook, pack and throw food to the migrants riding the "Beast" train.