Born in Syria

It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.

The tragedy of the Syrian people: War, conflict, loss, migration, exile, asylum, detention, drowning… A deserted place. Abandoned people. Abandoned country. The doors slammed shot; the doors are now locked - the keys thrown away...for what seems forever.

The film is a reportage showing the help of workers from the GDR in the industrial reconstruction of Syria. We witness the friendly relationship between workers from both countries, who are jointly involved in the construction of the cotton spinning mill in Homs. In impressive pictures the exoticism of the environment and the mentality of the Syrian hosts is shown. At the same time it becomes clear that the workers from the GDR become 'ambassadors of the GDR' through their collegial behaviour and good work.

Delves into the world of makeshift oil refineries and the stark realities of life in war-torn northern Syria,. Mahmood is a prominent figure in these operations, navigating complex working conditions and local dynamics.

A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.

What will happen next in northern Syria? All of the parties to the conflict - the Americans, Assad’s regime, Russia, Iran and Turkey - have their own agendas for the war-torn region. But what do the Kurds themselves think about their future?

A look inside one of the most brutal campaigns of state repression in modern history - told by those who endured it and those who enforced it.

A harrowing account of Europe's migrant crisis. A family of Syrian refugees separated by the borders of Europe, fight to be reunited as they migrant from Syria to Germany.

The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terrorist 'Jihadi John', and the intelligence operatives' attempts to catch him.

An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.

A searing example of boots-on-the-ground reportage follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.

An intrepid archeology professor and his team of students are the only ones who stand in the way of an ISIS illicit antiquities network. Faced with losing their cultural heritage they become spies and they go undercover in ISIS territory. They dodge bombs and militia to create a system to monitor theft and destruction of Syrian antiquities. During this process, they discover more than they anticipated, discovering thousands of trafficked items and that the crimes committed are being enabled by terrorists and multinational corporations. The tragedy continues because the sale of illegal goods are uncovered in the most unsuspecting place.

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

In the most dangerous country in the world for journalists, Newsweek Middle East editor, Janine di Giovanni, risks it all to bear witness, ensuring that the world knows about the suffering of the Syrian people.

A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.

Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.

Before Aleppo's fall, Syrian/Norwegian director Nizam Najar explores the inside of the war. To him one of the reasons the rebellion has failed, stems from the Syrian society itself.

Ekhlas Alhlwani was forced to flee Syria with her three children and now lives in Zaatari, a refugee camp in the Jordanian desert. Rizzi spent seven weeks observing her and other women's daily life, which is devoid of any prospects. He shows how Alhlwani makes every effort to establish some kind of normality for her family despite the difficult camp conditions. The film vividlyconveys the cruelty of war, and especially the state o funcertainty and rootlessness to which refugees are exposed. The film is the first part of a trilogy that focuses on the emergence of a new civil consciousness in Malaysia, Tunisia, Egypt, Bahrain and Syria, as well as the social implications of the end of post-colonialism in these countries.

The film follows the refugee crisis in 2015 and 2016 from the perspective of a young Lebanese woman, Boushra Jaber. She came to Serbia in 2015 to work on her PhD. Driven by a deep desire to help she started working as an Arabic translator in a refugee camp in Presevo, on the Serbian-Macedonian border. During her three months in the field, Boushra faced personal and professional challenges that put her beliefs to the test.