The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.
Ruben and Gio have been recently adopted by Evelyn and Memo. The four of them try to create a home where the past, the bad and good stories, and the dreams in common for the future blend all together.
Résistants, Collabos - Une lutte à mort
24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.
The story of Hitler’s final hours told by people who were there. This special features exclusive forgotten interviews, believed lost for 65 years, with members of Hitler’s inner circle who were trapped with him in his bunker as the Russians fought to take Berlin. These unique interviews from figures such as the leader of the Hitler Youth Artur Axmann and Hitler’s secretary Traudl Junge, have never before been seen outside Germany. Using rarely seen archive footage and dramatic reconstruction, this special tells the story of Adolf Hitler’s final days in his Berlin bunker.
A report on the work of a reservist collective from a factory of the Guben chemical fiber combine.
O Zé Analfabeto e o Trânsito
This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.
This excerpt from A Pale Blue Dot was inspired by an image taken, at Carl Sagan's suggestion, by Voyager 1 on February 14, 1990.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.
From beautiful but dangerous waterfalls to canyons and underground rivers carved into stone millions of years ago, Wild Australia is a stunning look at our fragile world and how it relates to Earth of ninety million years ago
The sequel of feature-publicistic film «You Can’t Live Like That». Showing the countrymen charmless and sometimes scaring life picture of once great power with pain and anger, the author tries to uncover the reason of the country’s and nation’s tragedy.
This powerful and thought provoking film chronicles the compelling events in the Pacific Theater of WWII, from the bombing of Pearl Harbor in 1941 to the American occupation of Japan in 1945. It depicts the strength and courage of America's youth, while examining how these men and women dealt with being thrust into this brutal war. The film includes interviews with war veterans, both American and Japanese, from all branches of the military. It features testimony from medics, nurses, dog handlers, as well as Japanese-Americans who were imprisoned at internment camps in the United States. The film also includes a first hand account of the tragic impact of the atomic bomb on Japanese citizens. Among the veterans who appear is Zenji Abe, a Japanese veteran who flew the mission to bomb Pearl Harbor, and retired General Paul Tibbets who flew the mission to bomb Hiroshima.
This WW2 documentary centers on the crew of the American B-17 Flying Fortress Memphis Belle as it prepares to execute a strategic bombing raid on Nazi submarine pens in Wilhelmshaven, Germany.
Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.
Que Esse Grito Não Seja em Vão!