Boiling Point

A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.

Told through the eyes of 15-year-old Jamil Sunsin, Colossus is a modern-day immigrant tale of one family's desperate struggle after deportation leads to family separation, and the elusive search for the American dream.

When Ilse Cruz was a toddler, she and her mom immigrated from Mexico to Chicago in search of better opportunities. Now a passionate dancer and ambitious high school student, Ilse hopes to go to college and one day visit the family she left behind. However, her undocumented status pushes these dreams further out of reach. Halfway through her senior year, Ilse learns her DACA permit qualifies her for a special document that allows her to return to Mexico. Through a life-changing trip, Ilse reconnects with her family and Mexican roots – and her legal re-entry to the U.S. fast-tracks her application process for permanent residency. Six months after she graduates from high school, Ilse obtains her green card – mere weeks before Donald Trump takes office. While Ilse’s mother rejoices in these unexpected events for her daughter, her own fate grows ever more uncertain.

A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.

Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Afganistanbul

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.

Three generations of the Nabi family flee their home in Aleppo and try to make it to safety in Germany where some members of the family have already settled. Along the way they suffer countless setbacks and heartache.

Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.

One night, nine children from the same Tunisian village attempt the deadly crossing. Like a poem or a prayer, this film welcomes the words of bereaved mothers and gives dignity to their grief.

Monaco, Italia. Storie di arrivi in Germania

Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.

“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Filmmaker Arturo Perez Torres follows in the footsteps of two friends traveling on an extraordinary and extremely dangerous journey from Central America to North America. On their journey they encounter gangs and vigilantes as well as border patrol. But these immigrants navigate real-life nightmares with uncanny calm, grace and even humor in their perilous pursuit of the a better life.

“Sambal Belacan in San Francisco” is a documentary which revolves around three women from Singapore who move to San Francisco in the 1980s to enjoy the lifestyle they wanted.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

At the end of a quarry, in a godforsaken place called Rotzloch, a new life begins for four young men.

A documentary about Italian immigration in Brazil.