Omega Rising: Remembering Joe D'Amato

Homeless man Robert (Bobby) Webb discovers the art of filmmaking, turning pages of his life into a heartfelt reel. Through his journey he finds hope and new meanings in unexpected aspects of his life as he relives them.

New Life

Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.

Walter Hill sits down for a rare retrospective interview for his 1981 film "Southern Comfort".

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

Documentary on Lars von Trier

A life long dream of making a feature film turns into a comedic disaster for a New Jersey filmmaker.

Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.

"My father says if people don't come and see this movie, we'll starve," says Tate Sullivan, introducing his father's "The Beer Drinker's Guide to Fitness and Filmmaking." (Send canned goods to Auteur-Aid, care of Fred G. Sullivan, Saranac Lake, N.Y. 12983.) "The Guide" is the Sullivan family album, a grandiose home movie focused on the days and nights, life and times of "Adirondack" Fred. And you thought Molly Dodd was a schlemiel. Fred, the most self-obsessed creature since Garfield the Cat, produces, directs, writes, edits and stars in this offbeat, low-budget work. Fred's four children, Fred's tiresome wife Polly, Fred's business partners, psychiatrist, internist, teachers, neighbors, creditors, sommelier and so forth comment on the 42-year-old ne'er-do-well.

Victor was victim of a violent attack during the government of León Febres Cordero in 1987. More than 30 years later, he decides to free himself from the weight of the secrets and ghosts that has carried for many years and speak out.

Haunted by three unfinished films, a filmmaker seeks to demystify his relationship with failure through encounters with past collaborators.

20 ans de saga Taxi le film qui fait exploser tous les compteurs

Part 3 of documentary trilogy about Pertsian poet Forough Farrokhzad. This part focuses on her theatre and film work.

Senegalese documentary about the country's most famous film-maker - Ousmane Sembène. The groundbreaking director explains his philosophy, politics and hopes for the future of African cinema.

During the 1920's, Augusto San Miguel (1905-1937) directed, produced and starred in the first feature films made in Ecuador. Unfortunately, San Miguel's films -like many episodes of his life- disappeared in time. The only remains are the movie ads on old newspapers and a mysterious legend, by which San Miguel was buried with his films.

David Kalat discusses the works of Buster Keaton.

Bienvenue en…. Los Angeles! Film executive Kyle and filmmaker Arran rendez-vous for a tête à tête in this crème de la crème of Cinéma Verité.

Iranian film director Amir Naderi talks to Zar Amir Ebrahimi about his career in this documentary directed and produced by Ebrahimi and broadcast by BBC World Service and BBC Persian. Amir Naderi is one of the most influential figures of Iranian modern cinema. He was born in 1945 in the Persian Gulf port of Abadan. Orphaned at an early age and living the life of a street urchin, Naderi had to survive by selling ice, working as a shoeshine boy and recycling empty beer bottles. He developed his knowledge of cinema by watching films in the theaters where he worked at a very young age. He began his career by taking pictures for some notable Iranian features. In the 1970’s, he started directing his own films, and made some of the most important movies of the New Iranian Cinema. After moving to New York in the early 90’s, Amir Naderi continued to make films. They have premiered at the Venice, Cannes, Tribeca, and Sundance Film Festivals.

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!