Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.
A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.
Experimental projects carried out during scientific initiation - 2002 / UFRJ
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
"Nocturnes at the Golden Gate" - invites us to discover the world and work of Irina Ionesco, a unique figure of contemporary photography. Since the early 70's, she photographer has been working in her apartment near the Porte Dorée, in Paris, principally with the female body. Scraps from the past and elements of the present come together to evoke the coherence and multiple meanings of Irina's baroque universe : the solitude of her Romanian childhood ; her youthful debut in the music hall ; her relationships with her models and her way of building images. Little by little, her work is illuminated and takes on different vibrations, though we have never left the apartment : her workspace, temple and museum.
Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
Sytratigraphies is a hyper kinetic masterpiece of a travelogue offering glimpses of scenes shot in your native Columbia, New York, Toronto and beyond. A female fantastic (Alexandra Gelis) knitting on the fly (subways, bankomats, beaches) and making audio recordings provides a throughline of sorts, as queer marriages give way to videogame palm trees, warm gatherings of friends are interwoven with public noticings, workers mostly, street hawkers and construction zones of the self. These lyrical interludes (in this movie the in-between is at the heart of the matter) are punctuated by rescanned YouTube interviews with authors/philosophers/scientists Jorge Luis Borges, Francisco Varela, Julio Cortazar, Beatriz Preciado and Gilles Deleuze. They muse briefly on creativity, exile, the biopolitics of the birth control pill, and the necessity of making mistakes in philosophy.
VORTEX TEMPORUM sinks into the temporality of an image, the one from an American university campus filmed by a webcam. These images from the University of Oregon were collected between August 2009 and June 2010.
Return to 'burn' only to find out you're already in that urn.
Investigating the infamous Abu Ghraib scandal, Errol Morris interviews American guards and Iraqi prisoners who were at the military jail before images of prisoner torture emerged in 2004. One female guard, who posed alongside fallen Iraqis in notorious images, tells Morris that her crimes were inspired by her love for another soldier, and another explains why she took photographs of her fellow troops. In the process, Morris suggests that the scandal resulted from systemic flaws in the military.
"My last image of Jonas."—Ken Jacobs
Frame by frame, letter by letter, this film aligns riddles/answers from 6 rolls of Super-8, with the structure, poetry and imagery posed by Ugandan crossword puzzles. Across & Down is a study of simultaneous simplicity and complexity and the resulting serendipity and chaos.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.
Chilean experimental film.
Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".
Celebrating Billy Connolly's 75th birthday and 50 years in the business, three Scottish artists - John Byrne, Jack Vettriano and Rachel MacLean - each create a new portrait of the Big Yin. As he sits with each artist, Billy talks about his remarkable life and career which has taken him from musician and pioneering stand-up to Hollywood star and national treasure.