Salam

In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.

A Casa de Lucia

In 2012 Dalya and her mother Rudayna fled Aleppo for Los Angeles as war took over. Months before, Rudayna learns a secret that destroys her marriage, leaving her single at midlife. Arriving in LA, Dalya enrolls as the only Muslim at Holy Family Catholic High School. Can mother and daughter remake themselves while holding on to their Islamic traditions?

A witness testimonial by the Syrian people with regards to what has happened to their country. It's a story told by those who couldn't leave, those who chose to stay to fight the war and those who had to leave their motherland.

Lyse Doucet speaks to Hind Kabawat, Syria's minister for social affairs and labour and the only female minister in the transitional government.

The story of iconic Syrian peace activist Ghiyath Matar whose brutal torture and death at the age of 26 outraged the international community and erupted into one of the most violent uprisings in modern history.

In this beginner-level doumbek course, Amir Naoum teaches Southwest Asian drum rhythms and doumbek techniques to drummers and dancers.

In the most dangerous country in the world for journalists, Newsweek Middle East editor, Janine di Giovanni, risks it all to bear witness, ensuring that the world knows about the suffering of the Syrian people.

A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.

In Zaatari, Jordan – one of the world’s biggest refugee camps – Maamun owns a little shop: a small white container aligned in a seemingly endless row of identical containers. There he repairs mobile phones of the numerous Syrian refugees. They are anxious to retrieve the devices’ content which consists of memories from the past, a time when the war had yet to begin and they were not yet refugees but just ordinary people. Maamun and his friend Karim invent a new way to satisfy their customers: they buy a printer to print the photos, allowing the camp dwellers to retrieve some of their identity. The film provides an insight into the daily goings-on in a refugee camp.

The Islamic State, a hardline Sunni jihadist group that formerly had ties to al Qaeda, has conquered large swathes of Iraq and Syria. Previously known as the Islamic State of Iraq and Syria (ISIS), the group has announced its intention to reestablish the caliphate and has declared its leader, the shadowy Abu Bakr al-Baghdadi, as the caliph. The lightning advances the Islamic State made across Syria and Iraq in June shocked the world. But it's not just the group's military victories that have garnered attention - it's also the pace with which its members have begun to carve out a viable state. Flush with cash and US weapons seized during its advances in Iraq, the Islamic State's expansion shows no sign of slowing down. In the first week of August alone, Islamic State fighters have taken over new areas in northern Iraq, encroaching on Kurdish territory and sending Christians and other minorities fleeing as reports of massacres emerged. —VICE News

A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.

Two Americans deliberately head to the edge of war, just seven miles from the Syrian border, to live among 80,000 uprooted refugees in Jordan's Za'atari refugee camp.

Delves into the world of makeshift oil refineries and the stark realities of life in war-torn northern Syria,. Mahmood is a prominent figure in these operations, navigating complex working conditions and local dynamics.

On the front line of the Syrian war, a 30-year-old commander leads her female battalion to retake an ISIS-controlled city and emerges severely wounded, forcing her to redefine herself in this empowering tale of emancipation and freedom.

The Syrian Civil War has created one of the greatest humanitarian crises in the last 60 years. REFUGEES: ENEMIES OR VICTIMS? investigates the very important question of whether the United States is doing enough to uphold its long tradition of helping those in need.

A horrible six year conflict befell Syria with a multitude of factions fighting for territories backed by a score of foreign players. The script for war as with Iraq in 2003 originated with Zionist partisans with Israeli interests in mind. From Oded Yinon to the Israeli "Clean Break" papers, the Zionist regime made it very clear what their intentions were in Iraq and Syria. American mass media had a uniform message that "Assad must go" for years until the Trump administration took power. In Iraq, after the US made it clear that they did not back Kurdish secession and would not give them air support, the Iraqi forces chased out the Peshmerga in a mere 36hrs. The world must know that the US was dragged into these conflicts via Israeli pressure and deceptions.

When a British-born actor abandons his Hollywood career to volunteer to Join the Kurdish YPG to fight ISIS in Syria, many see him as a selfless hero battling America's most insidious enemy. But others think he's a hot-tempered narcissist, staging a publicity stunt to further his career - and when his service ends, neither the UK nor the US welcome him back. Through incisive interviews with the actor, his supporters, his detractors, and top-tier experts - and featuring the actor's own jaw-dropping helmet-cam video of deadly battles with and interrogations of ISIS fighters - Heval gives viewers unprecedented access into a war against evil and one man's controversial role in it.

Syrie, à l’épreuve du pouvoir

Before Aleppo's fall, Syrian/Norwegian director Nizam Najar explores the inside of the war. To him one of the reasons the rebellion has failed, stems from the Syrian society itself.