A nobleman seeks to rescue his bride, who has been kidnapped by his former lover and a bandit.
Erotikon is a 1920 Swedish romantic comedy film directed by Mauritz Stiller, starring Tora Teje, Karin Molander, Anders de Wahl and Lars Hanson. It is based on the 1917 play A kék róka by Ferenc Herczeg. The story revolves around an entomology professor obsessed with the sexual life of bugs, and his easygoing wife who is courted by two suitors.
In 18th-Century Russia, the Czar, Paul, is surrounded by murderous plots and trusts only Count Pahlen. Pahlen wishes to protect his friend, the mad king, but because of the horror of the king's acts, he feels that he must remove him from the throne.
A man takes a job at an asylum with hopes of freeing his imprisoned wife.
The Ethiopian King offers his daughter to a powerful Pharaoh to secure peace between the two countries.
Based on the 1852 novel and play La Dame aux Camélias by Alexandre Dumas, fils.
The story takes place in Milwaukee during the early 1900s with a bank clerk named August Schiller who is happy with both his job and his family. He is tasked with transporting $1,000 in securities to Chicago. On the train he meets a blond seductress who convinces him to buy her a bottle of champagne, and takes him to a saloon. The next morning he awakes alone in a dilapidated bedroom and without the securities.
Silent version of the 1884 Helen Hunt Jackson novel originally ran 3 hours but all but 50 minutes of that are now lost.
Ida May Park started in the film business as a scriptwriter, but in 1917 Universal announced that Park would direct films with actress and producer Dorothy Phillips for the company’s Bluebird brand. Park’s films often had a strong female perspective and The Risky Road is no exception. The story of a country girl who comes to the city to work, but falls for a rich man and undeservedly gets a bad reputation, the film was marketed as “the drama every woman should see”. The surviving fragment, showing the despair of Phillips’s character, is a real cinematic gem that leaves one yearning for more material of the film to be discovered. In 2008, a tinted nitrate fragment, with Swedish intertitles at the opening of the second reel, was deposited at the Archival Film Collections of the Svenska Filminstitutet. From the fragment, a 35mm B&W duplicate negative was made, from which this print was struck using the tinting of the nitrate as color reference.
A young Chinese woman saves an American man washed up onto the shore and the two fall in love, only for him to have second thoughts.
Rafael Sabatini's story of the swashbuckling era and of Bardeleys, the handsome courtier who could win any woman he set his mind to...and was not above boasting about it to all who would listen.
A department store clerk decides to marry a withdrawing colleague with tuberculosis, over another dashing, ambitious suitor, leads to a life of hardship and struggle. Though The Nth Commandment survives incomplete, enough exists of director Frank Borzage’s last film while under contract with William Randolph Hearst’s Cosmopolitan Pictures for scholar Hervé Dumont to declare “it the first truly Borzagian work.”
This melodrama about an actress in love with a playwright and the stage manager blackmailing her for her affections offers a unique glimpse into Chaney’s career before his classic performances in The Hunchback of Notre Dame and The Phantom of the Opera. Preserved and restored by the Academy Film Archive in 2004.
The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.
The son of a wealthy farmer loves a simple maid, for which he's booted out of the house by his father.
Silent romantic drama starring Patsy Ruth Miller who suffers along with her beloved after he loses his sight during WWI.
Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.
The Magic Flame (1927) is a feature film directed by Henry King, produced by Samuel Goldwyn, and based on the play Konig Harlekin by Rudolph Lothar. George Barnes was nominated at the 1st Academy Awards for Best Cinematography. The film promoted itself as the Romeo and Juliet of the circus upon its release.
Frank Andrews is a successful businessman. He has always found pride and joy in the company of his wife, son and daughter. He suddenly finds himself enthralled by the advances of a gay young woman siren, who lives in the same apartment house as he does. So marked an influence does she have over him as time progresses that at last he quite forgets his home ties, neglects his family, and goes the way of many other men who have forgotten the meaning of paternity and blood ties. The story is advanced through many scenes enacted with the accompanying notes of New York's night life, and the denouement comes when the faithful wife discovers her husband's infidelity. At this time the mother's mind nearly loses balance, while Jane, the beautiful daughter, crazed by the grief of her mother, determines to take part in the tragedy. With revolver in hand she steals up to the apartment of the woman, but her frail nature is overcome by the temperamental anger of the woman and her mission fails.
Based on the classic Chinese play Romance of the Western Chamber, Way Down West follows the love story between a poor scholar and wealthy woman. Unable to marry due to their social status, this changes when a bandit attacks the monastery they are staying at demanding the woman's hand. Desperate, her mother promises her hand to whomever manages to defeat the bandit.