Not Everyone Sleeps at Night

A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

CARNY is an intimate, gritty and poetic adventure following the lives of 'carnys' - traveling fairground workers whose experiences are outside the normalcy of most North Americans.

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

One man, one camera, one goal...to capture the essence of adventure. An experimental, often abstract new type of filmmaking process creating color rich visuals combined with a lush soundtrack that grounds the project. A unique cinematic experience.

Sodium Nights

Paris Black Night

A small skit-documentary hybrid, written, shot and edited all in the space of a couple of hours on the 25th of October 2021, by exclusively myself, for a university project.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

An independent documentary focusing on the Blue Monkey and New Monkey nightclubs in Sunderland. The dawn of the rave scene in the late 80s and early 90s changed the face of music forever and left a legacy that still continues to this day. Hear the stories of those who lived through it and were involved in the North East scene at the beggining. From raid to ruins, we shed light on the rise and fall of the Blue Monkey and New Monkey nightclubs investigating the music and the controversy that came with the all night rave clubs.

Railroad of Hope consists of interviews and footage collected over three days by Ning Ying of migrant agricultural workers traveling from Sichuan in China's interior, to the Xinjiang Autonomous Region, China's northwest frontier.[1] Through informal interviews aboard the cramped rail cars, Ning Ying explores the hopes and dreams of the workers, many of whom have never left their homes before.

Numerous people are on subway trains running up and down the city center endlessly. There are people who run this decent space “underground”. Under the noisy world today, we approach them to see what life is like underground.

Nous, ouvriers : « Nos rêves ont façonné la société » (1963-1983)

Nous, ouvriers : «Nos cœurs battent encore » (1983 à nos jours)

In China’s popular live-streaming showrooms, three millennials – a karaoke singer, a migrant worker and a rags-to-riches comedian – seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives.

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.

Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.