Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.
Big Sur is a film adaptation of the Jack Kerouac autobiographical novel of the same name.
A disillusioned writer explores the subterranean depths of San Francisco's North Beach district.
Beat poem parable to black youth.
In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.
Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.
A child of the Beat Generation, Gérald Leblanc conjoined urban-ness and American-ness, wandering and belonging, far beyond the boundaries of taboo. In so doing, he helped propel Acadia into the modern era.
Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.
The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.
Howl is an homage to the reading rituals of the Beat poets, to Wholly Communion, to 1965, to Allen Ginsberg, to Jack Kerouac, to William Burroughs, to all those books that we believe to be published in heaven, and to all the restless spirits, from these lands. The film documents the translator of the poem Howl into Turkish, accompanied by a musician.
To celebrate the 100th birthday of America's most audacious writer, William S. Burroughs, Chicago Humanities Festival brings together a motley crew of poets, writers, and musicians. William Seward Burroughs (1914 - 1997) was an American writer and visual artist. He was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs's needs took him across the United States, down into Mexico, to Europe and beyond. On his travels, he meets up with various members of the underground drug and "outcast" cultures.
A boy's disappointing scores on the college entrance exam bring shame down on his family.
When a mysterious man stops a world wide storm with the swipe of his hand, life as we know it changes, and the source of his divine power must be found before humanity self destructs.
A fast-paced, dark dramedy following six lovable degenerates, their terrible choices, often hilarious and tragic consequences, and unexpectedly interwoven lives.
A story about a few men and the autumn of their lives...
A story of a thirteen year old boy who lives in North Russia and is forced to make some difficult decisions.
Alberto Ramos, known as ‘the best photographer in Lisbon’, is also a famous medium who uses his professional gift to enjoy a libertine lifestyle that gives him access to the upper social classes. Margarida Malveira, a rich 50-year-old widow, consults him in the hopes of establishing contact with the love of her life, deceased 30 years prior. After one session, the spirit of Margarida’s husband possesses Alberto’s mind, forcing him to take care of his wife. - MOTELX
Tae-joon (Lee Sang-hoon) and Seo-yeon (Park Min-kyeong) wrap up their city life and start over in a quiet countryside. Tae-joon is still learning how to farm and he hasn't had a decent harvest of fruits for several years. He gets stressed and blames the soil. Seo-hyeon suggests they start a 'sharing house' to relieve his pressure. They invite a new family into their house to 'share' and that it Hwai (Lee Ja-eun). She is a novelist who writes about her experience with another man. She had an affair with Tae-joon in the past. She resented him but still loved him and couldn't get over him which is why she went all the way down there. She takes over the house which once used to be Tae-joon and Seo-hyeon's space. Hwai puts pressure on Tae-joon and provokes him by seducing Seo-hyeon's carpentry teacher Jae-rim (Kim Seon-hyeok). Hwai shakes up Seo-hyeon and tries to make Tae-joon hers while Seo-hyeon struggles to protect her family home.
In 19th century New England, the lives of a diverse group of people collide through interweaving stories of despair, identity, faith, hope and trust.