Beat Angel

A disillusioned writer explores the subterranean depths of San Francisco's North Beach district.

Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

Big Sur is a film adaptation of the Jack Kerouac autobiographical novel of the same name.

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

To celebrate the 100th birthday of America's most audacious writer, William S. Burroughs, Chicago Humanities Festival brings together a motley crew of poets, writers, and musicians. William Seward Burroughs (1914 - 1997) was an American writer and visual artist. He was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs's needs took him across the United States, down into Mexico, to Europe and beyond. On his travels, he meets up with various members of the underground drug and "outcast" cultures.

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

Howl is an homage to the reading rituals of the Beat poets, to Wholly Communion, to 1965, to Allen Ginsberg, to Jack Kerouac, to William Burroughs, to all those books that we believe to be published in heaven, and to all the restless spirits, from these lands. The film documents the translator of the poem Howl into Turkish, accompanied by a musician.

Archival footage, animation and music are used to look back at the eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.

In a film bursting with lyrics, pictures, and music the director shows us a way into the peculiar universe of Tóroddur, and the otherwise not very talkative artist gives us a glimpse of his thoughts on art, God, life and death.

Beat poem parable to black youth.

A child of the Beat Generation, Gérald Leblanc conjoined urban-ness and American-ness, wandering and belonging, far beyond the boundaries of taboo. In so doing, he helped propel Acadia into the modern era.

Tinta Film

A portrait of Norwegian poet Odd Børretzen in his own words, featuring musical highlights from Børretzen's work with musicians Alf Cranner and Lars Martin Myhre.

A person who hates all their clothes struggles to decide what to wear to a house party. At the party they see their ex-it’s-complicated with a new partner. A tense interaction sparks a nascent lifestyle change.

Professional caterer and amateur detective Goldy Berry is hired to cater for a big wedding. The bride, Jessamyn Cole is the ex-wife of Goldy's current romantic interest, detective Tom Schultz. The town is shocked when they find the groom, Sterling Clearwater dead and Jessamyn missing. To complicate matters, a new detective with a vendetta against Tom is hired to oversee the case. Forced to take matters into their own hands, Goldy and Tom must find Jessamyn before she meets Sterling's fate.

After a long and enigmatic absence, Daniel returns home, igniting a day filled with tension, nostalgia, and unspoken truths, navigating the complex dynamics of a family reunion steeped in unresolved pasts and undefined loss.

Summer is slowly drawing to a close. Jeanne, in her sixties, is abandoned on the side of the road with her suitcase. With nowhere else to go, Jeanne wanders through the landscapes that summer visitors leave behind, until she arrives at a deserted campsite where a white caravan sits enthroned. The caravan belongs to two brothers in their seventies, Émile and Louis, who were beginning to give in to boredom. Two men, one woman and autumn fast approaching.

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