Aridity Enclosure 1

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

It's time the times met each other over & over.

Don't ask me why, but I feel we're about to cry trying.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Roda Viva Roda Brasil

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Slowed, stowed, achingly retold.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

I really hope this is well-received. I really hope there's some sort of reprieve.

Radical recurrences & rancorous requests raze my daze.

Onward, upward, greener [redder] grasstures.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Hiding inside&out, writhing about, taken out&in.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Rather pointless, rather stilted, fetid; not what we want us going after.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.