Questioning, Requesting

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

3 minute experimental film.

5 minute experimental film.

10 minute experimental film.

Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.

6 minute experimental film.

1 minute experimental film.

4 minute experimental film.

"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."

5 minute experimental film.

4 minute experimental film.

As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.

"River ice sets the scene for Judy Garland's international cri de coeur. It's hard to understate the amount of anxiety created by a Vice President who usurped authority for eight years to start wars and wreck the economy and then sidled off to Wyoming to be a retired 'hero of the right.' Impunity is not just the stuff of autocratic dictatorships in the third world. The American form of impunity is going to get us all killed."

A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.

Wax and wane until there is naught but boring pain.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.

A 3D visual vapor release by James Webster.

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.