Kinda Cool to Expend This Much Drool

This cacophony runs over me, over everything I see, everything I want to see: it's me.

A film about friendship and the occasional loneliness.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Centrist revelations abound among repetitions & revisitings.

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Say Om as you reach home only to realize you never really left/stopped saying Om.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.

"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

An ambient representation of depression with a slowly fading score building towards an uncertain climax.

To the idly meditating musician received a call from his distant friend with a proposal to write a song about the untimely departed Lady Diana.

Four types of visual interpretation of four songs by Karol Szymanowski. Polish words by Julian Tuwin, English translation by Jan Sliwinski.

A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous mélange.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

A live performance film capturing an intimate concert by composer, pianist and music producer Ryuichi Sakamoto in New York City. The performance marked the first public unveiling of Sakamoto’s new opus, async, hailed as one of the best albums of 2017 by Rolling Stone and Pitchfork.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.