Yaadon Ki Baaraat

Jharia, India, one of the most dangerous places on earth. Fires rage underground, smoke and dangerous fumes belch from cracks in the ground. This is the home of Anant, an 8 year old boy who scrapes a living picking coal and selling it at the local markets to try and feed himself and his sick mother. One day, a chance encounter changes Anant's life, forever. This is a coming of age drama that casts a spotlight on a humanitarian disaster area and gives us a chance to see the world through the eyes of one of India's many child labourers.

In a drought-stricken city in India, the emperor Maharaja Dhiraj Chandrasen, who has two wives, and no children, orders all kinds of rituals to appease the Rain Gods

In a small town of 1960's India, where cinema is forbidden for women, a 14-year-old embarks on a quest to watch her first film.

"Navras Katha Collage" delves into the nine fundamental emotions (Navras) of life, each story intricately woven together to depict the highs and lows of the human experience. From joy and sorrow to anger and wonder, this film captures the essence of what it means to be human, all brought to life by a single actor through a tapestry of characters.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

It's the story of a boy who finds enlightenment by experiencing religious hipocrisy and dogmatism. Dnyaneshwar liberated the "divine knowledge" locked in the Sanskrit language to bring that knowledge into Prakrit (Marathi) and made it available to the common man.

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.

Set in present-day Lucknow, Gulabo Sitabo is a social satire about two impossibly peculiar human beings, Mirza Chunnan Nawab, who stays in a dilapidated mansion and one of the tenants, Bankey Rastogi.

Two brothers morals collide so fiercely that they find themselves at each other's throats.

Maharaja Sharminder Bhupathi of Avanti and his wife, the Rajmata, would like to see peace in the region, and would like their daughter, Alaknanda, to marry the prince of Gandharva, Aditya Vardhan. While in Gandharva, Aditya has plans of his own, for he loves a courtesan, Jaswanti, and would not dream of marrying anyone else, much to the disapproval of his brother, Ugrarao. Not to be outdone, Alaknanda loves a young warrior by the name of Vikram Singh. Acharya Abangdev of Avanti has plans of his own, which do not include Alaknanda, as he would like to take the region over and rule over it through Ugrarao. Then the unexpected happens, Aditya is reportedly killed by bandits, and Abangdev announces that Ugrarao be the next king, but at the very moment, Aditya shows up, is crowned the king, and makes sweeping changes to Avanti for the betterment of the people.

These five award-winning coming of age short films offer a glimpse of how boys and young men tackle life's difficult desires: confronting one's demons, understanding sexual relationships, gaining the respect of one's father, or simply running away from it all. This is only the start of their complex formative years, where not every question has an answer, and not every answer makes sense. The short films are: Boys [Pojkarna] (2015); Ioana (2015); Kiem Holijanda (2017); Picnic [Piknik] (2015); Tomer & Elias [Tomer en Elias] (2016).

The adventures of Kishore, a "James Bond 777" CBI agent, as he and heroine Sopa battle criminal mastermind "Boss" and his gang which includes whip-cracking Jamilla and a trio of highly trained dogs.

It's an ordinary winter's day when disillusioned Police Inspector Azaad Singh is tasked with delivering a very important file to his superior. Traversing expanses of rural and urban Punjab along the way, he reckons with the state's past and present realities, and faces an untimely existential crisis as a result.

Rani is a child who is being brought up by her mother, Kamla (Asha Parekh) as her dad Rajendra (Rajendra Kumar) has gone out of town on business. Both mother and daughter live with their cruel and selfish relatives (Satyendra Kapoor and Lalita Kumari). They live with her abusive uncle. One day, Kamla gets the news that her husband is returning, and she is overjoyed. This joy turns to sorrow when she finds out that he has died in an accident. Shortly thereafter, she too passes away, leaving poor Rani at the hands of the cruel relatives. Her best friend Pappu (Master Abbas) tells her about Lalpari (Reena Roy). She succeeds to reach heaven with the help of Lalpari and manages to trick Yamraj (God of truth and death). However, Rani's father was only injured in the plane crash. Rani lives happily ever after with her parents. This movie also features the story of Cinderella and Gulliver's Travels in two songs.

1956 bollywood film

After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.