The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.
Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.
This program consists of unedited responses to questions presented to G. Edward Griffin by a camera crew creating a documentary on the U.S. Constitution. In this session, he answers the most difficult questions imaginable in the fields of political and social science. The depth and clarity of his response is amazing, especially considering he is speaking extemporaneously without benefit of script or notes. In an era when many people are just now waking up to the WHAT of current events, here are issues for the brain that go far beyond that shallow pool into the deep water of WHY and HOW.
La Statue de la Liberté, naissance d'un symbole
Narrated by Linda Hunt, this documentary examines the life of the late author and gay rights activist Paul Monette. Born in 1945 to a well-off Massachusetts family, Monette grows up unable to accept his homosexuality, for years hiding it from his loved ones while struggling to develop as a writer. In 1978, Monette publishes his first novel, which allows him to come out to his parents. After losing one lover to AIDS in 1986, he becomes a ferocious advocate for awareness of the disease.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Short documentary about Cuba's resistance to American invasion.
Afro-Cubans played a leading role in the fight to free Cuba from Spanish domination; as part of that struggle, slavery was abolished. Nevertheless, as African descendants began to achieve a semblance of social and economic parity, the plantocracy, backed up by the US army, sought to undo their gains. Determined to resist, veterans of the Mambi army formed the Party of Independents of Color, gaining wide popular support and ultimately threatening the domination of the white Cuban rulers. Their response was savage, and 6,000 Afro-Cubans were massacred; until this film, these events have been shrouded in silence.
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of those who worked with him: Catherine Deneuve, Daniel Auteuil, Emmanuelle Béart, Juliette Binoche and Sandrine Kiberlain, among others.
When Bruce Chatwin was dying of AIDS, his friend Werner Herzog made a final visit. As a parting gift, Chatwin gave him his rucksack. Thirty years later, Herzog sets out on his own journey, inspired by Chatwin’s passion for the nomadic life, uncovering stories of lost tribes, wanderers and dreamers.
There are countless stories of Cubans reaching their dream destination of Florida as boat refugees. A lesser known route to the United States starts with a flight in a ramshackle plane to Guyana. Then the refugees travel to Colombia where they cross the jungle to arrive in Central America, from where they hope to reach the promised land of America—a hard and dangerous journey. Cuban filmmaker Marcel Beltrán visits them in a refugee camp in Panama, where one of the residents gives him an idea. Many people here have filmed their journey, she says, and these videos tell their real story. These jerky, shocking videos are interspersed with Beltrán’s footage of the camp, tangibly illustrating the difference between the hectic pace of the journey and the insecure life at the reception center.
By the end of the seventies, disco music, considered too mainstream, was dead. But DJs and dance floors still needed new records and faster rhythms. Built on synthesizer sounds, the hi-nrg (high energy) style swept the gay clubs before hitting the charts during the eighties.
The thrilling story of an elite group of Cuban spies sent undercover to the US in the 1990s. From their recruitment, training and eventual capture on US soil; this film peers into a secret world of false identities, love affairs and betrayal. Using never seen before footage from the Cuban Film Institute’s archive and first-hand testimony from the people at the heart of this story, Castro’s Spies gives a rare glimpse into the shadowy world of a spy – where the stakes are life and death.
German iconoclast filmmaker and gay-rights activist Rosa vonPraunheim examines his own life and career in the documentary Phooey Rosa! With a quickly paced editing style, the film is a mix of personal banter, candid interviews, and clips from his filmography. It also includes footage from his early film Bed Sausage to his later work Neurosia. At the age of 60, vonPraunheim reveals intimate details about his past relationships and his childhood growing up after WWII. He also implicates some of his friends and inspirations, including Luzi Kryn and Rainer Kranach.
The dramatic untold story of 420,000 Cubans– soldiers and teachers, doctors and nurses– who gave everything to end colonial rule and apartheid in Southern Africa.
Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.
In the early twentieth century, the Hotel Nueva Isla was an emblematic luxury hotel. After the Cuban Revolution, it was confiscated by the State and became a shelter for homeless people. Located in Old Havana, today it is an imposing ruin. Jorge de los Rios, a retired clerk, is one of the few residents who remain there, along with La Flaca, his lover, and Waldo, a young itinerant. As the rest leave for safer places, Jorge clings to his dilapidated home and its buried treasures, slowly digging his way through its debris. The film speaks poignantly to a lost generation who fought in the Cuban Revolution and dreamed of a better society.
Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a scientific experiment, causing the extinction of many native species. Its meat is exported everywhere in exchange for weapons, creating a globalized evil alliance on the lake shores. An infernal nightmare in the real world that wipes out Darwin's Theory of Evolution.