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Living Memories is a documentary film that traces the history of the director’s neighborhood and native country, Haiti, through a personal and engaged perspective. Brick by brick, through encounters and wanderings throughout Port-au-Prince’s neighborhoods, archival photos, graffiti, and animations, the filmmaker introduces us to architect Léon Mathon and the residential architecture of the early 20th century. Over the ruins of her family home, Dominique, the director's mother, an architect like her father and grandfather before her, searches through her memories and significant places for traces of the past and the history of her country. Many of her landmarks are no longer there. From this tragedy arises a quest — a need to reconnect memory and history to understand the present better. The filmmaker follows her mother during her journey, capturing her reflections and conversations and documenting them to bring memories back to life.

This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.

Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.

In the industrial and maritime city of Le Havre, Soren and Karving, two 14-year-old friends, are passionate about fishing. In conflict with authority and failing at school, fishing has become their space of freedom and a unique way to project themselves into the future: more than anything, Soren wants to become a fisherman and Karving a fisherman-reporter. As the pressure of their exams mounts, and without their diploma they can kiss their dream life goodbye, they will have to compromise between their passion and reality.

Filmmaker Maarten de Schutter attempts to reconstruct the lost memories of their mother, AIDS activist and feminist anthropologist Martine de Schutter. Ten years after she was killed by Russia in the Donbas War, Maarten tries to assemble what’s left behind of her life and their shared past.

A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.

Shari Lewis was a dancer, singer, and magician but is best known as the ventriloquist behind sock puppets Charlie Horse, Hush Puppy and, of course, Lamb Chop. This lively doc charts the life, loves, and career hits and misses of this spunky perfectionist, who forever changed the face of children’s television.

En direct de... Nos studios des Buttes-Chaumont

In 2008, Natasha, a newly rich woman, decides to open an independent TV station in Russia and builds an open-minded team of outcasts. By 2020, Natasha has lost everything to Russia's war between Propaganda and Truth.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.

A concert movie dedicated to the formation of the World Club of Odesa under the leadership of Mikhail Zhvanetsky. "Let many people be proud of the expanses and fields," says Mikhail Zhvanetsky himself about his favorite city, "someone falls to his favorite birch tree, thinking that it grows only here. We have the only homeland - Odesa, the only party of Odessites. Odesa is halfway around the world, from America to Australia. Odesa is a phenomenon, an Odessite is a character. Odesa was, is and will be one of the most famous cities on this temporal globe. And we, who stayed, and you, who left, will live and live with it.... Odesa is worth dedicating your youth and old age to it, and it will repay you like a native land".

The Rezai's are keeping pigeons on their terrace in Berlin. After having their doubts in the beginning, the five sons are also taking care of the birds. The relationship to the animals reflects their feelings on family and loyalty, and also reminds them of their own childhood and the migration from Afghanistan.

Extremely rare Cuban documentary reveals rockers that find liberty by injecting themselves with the HIV virus, at a time when this was almost synonymous with a death sentence.

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

One day in the life of television is a documentary that was broadcast on ITV on 1 November 1989. Filmed by over fifty crews exactly one year earlier, it was a huge behind-the-scenes look at a wide range of activities involved in the production, reception and marketing of British television. The project was organised by the British Film Institute and produced and directed for television by Peter Kosminsky. A book by Sean Day-Lewis was published to accompany the documentary. It contained the thoughts of people throughout Britain, including industry professionals, who recorded their feelings and experiences of television viewing on 1 November 1988, the day that the documentary was filmed.

A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.