Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
A documentary on Fellini’s lost alternate ending for 8½
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
Documentary about the making of Forgotten Silver.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.
This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
A behind-the-scenes documentary about director Michelangelo Antonioni as he's shooting his segment of The Three Faces, a vehicle for Soraya, the former empress of Persia. Featuring interviews with Monica Vitti, Tonino Guerra and more.
Documentary about the making of Marcel Carne's 1945 film Children of Paradise (France), interviewing the director, the actors and production designer, as well as other French directors.
Documentary about Italian film screenwriter Cesare Zavattini
Documentary about the life and career of Japanese actor Chishu Ryu.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders
This is a documentary about the making of "Wings of Desire" (1987). The director, writer, actors, composer and other contributors speak at length and in detail about how the award-winning film was devised, cast, filmed, scored and edited.
Omnibus: François Truffaut
Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
A tour of the exotic locations of 'Goldfinger'.
An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.