Kardinal

Jon Rafman's short features computer-generated renders of the Twin Towers and a narration from Charles Baudelaire's "Le Guignon."

Time travel comedy with an international cast: In 1932, Arnold disappears and suddenly finds himself in 2020. After many hilarious encounters he meets Konstantin, a womanizer and anarchist artist. They become roommates, but their free bohemian lifestyle ends suddenly: Arnold gets seduced by attractive Lizzy, while Konstantin starts regarding a political revolution as the ultimate piece of art...

A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.

As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Artist Grayson Perry has been working behind the scenes at the British Museum to stage his most ambitious show yet: The Tomb of the Unknown Craftsman. Given free rein to choose whatever he wants from the Museum's vast collections, Perry has also produced some 25 new works of art, from his trademark ceramics to a working motorbike. Imagine follows Perry for more than two years as he creates his own imaginary civilisation at the heart of the British Museum.

Notes on Film 01 Else

Nejslavnější betlém světa – geniální dílo třebechovického mistra Probošta

The fireworks begin when Madea’s family gathers for her granddaughter’s wedding. As usual, Madea rules the roost, as she and her neighbor, the wacky Mr. Brown, deliver nonstop laughs. Live, love, rejoice...it’s Madea’s Family Reunion!

Painter, poet and playwright, teacher and freethinker, lover and traveler, Austrian artist Oskar Kokoschka (1886-1980) was a rare individual who remained lucid and passionate throughout his long life.

Events take a sinister turn one night in London, when two very different couples arrive at a double-booked apartment. Actions have consequences and not all debts are paid for with money. Leaving, it's harder than you think.

From October 22nd to 25th, 2008, Coheed and Cambria play four nights at Terminal 5, New York City. On each of these four dates, the band performed one of their concept albums telling the story of The Amory Wars. The first four discs of this DVD set capture these performances, set in front of sellout crowds, in their entirety. In addition, a fifth disc features a documentary of the concert series.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

a haiku films, a poem by Nha Thuyen

Beauty and the Beast: Comparing Two Igbo Masquerades By Herbert M. Cole

William Kentridge and Marlene Dumas – two of the most celebrated names in international contemporary art – come face to face in a series of frank, witty and intense discussions about their work and practice. The film follows them from the gentle ambience of a dinner conversation, to their studios – where we are given insight into the way that each artist works – to some of their finished works and installations. What emerges is how very differently these two highly successful South African artists approach image making. Dumas’ method is deeply intuitive – she often works on the floor as though embracing her paintings, pouring and dabbing paint to produce her remarkable portraits. Kentridge is intensely systematic, alternating gestural mark making with the repetitive action of drawing-filming-erasing for his animated films.

An experimental film shot with the purpose of trying to create a hostile alien environment using only shots of nature, color correction, and sound design.

In PATH OF CESSATION the image that is communicated to us by Fulton is a highly mystifying one. Rather than analyze, or enter into a dialogue with the Tibetan culture that he photographs, Fulton has succumbed to it, and through the process has presented us a work of great surface, as well as formal, beauty.

In 1933, at age 33, Harry Alan Potamkin died of complications related to starvation, at a time when he was one of the world's most respected film critics. In his writings, he advocated for a cinema that would simultaneously embrace the fractures and polyphony of modern life and the equitable social vision of left radical politics. This film-biography is assembled out of distorted fragments of films on which he had written, an impression of erupting consciousness.

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.