Kardinal

With some amount of irony, filmmaker Joe Biglin strings together 7 shorts about himself and things that trigger his OCD.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Hans Haacke is a key figure in contemporary art whose work intersects with conceptual, pop, minimal and land art. The artist is particularly known for his research into the hidden economies and politics of the art world and the repressed histories of places and peoples. Haacke's strong political, cultural and social concerns are reflected in his installations, texts and sculptures.

Carles Santos plays several of his pieces on the piano. This film was made for the exhibit on Carles Santos Visca el piano! held at the Miro Foundation in the summer of 2006.

Jeff Wall is one of the most important and influential photographers working today. His work played a key role in establishing photography as a contemporary art form.

To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing their family's dark past and a host of new and more horrifying terrors that lurk behind the red door.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.

Carlo McCormick was invited to curate an East Village Art show at a gallery in Richmond, Virginia. Filmmaker Tessa Hughes-Freeland took filmic evidence of the infamous exhibition that featured downtown artists such as David Wojnarowicz, Marilyn Minter, Luis Frangella and more painting naughty murals while on acid.

The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.

A documentary filmmaker turns his lens on an enigmatic conspiracy theorist who claims he's found the entrance to a vast underground city populated entirely by monsters.

A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.

A short film following a young woman as she's pursued by a mysterious stranger in the woods.

CREMASTER 1 is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Matthew Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through China via a marvelous 72-foot long 17th-century Chinese scroll entitled The Kangxi Emperor's Southern Inspection Tour (1691-1698), scroll seven . As Hockney unrolls the beautiful and minutely detailed work of art, he traces the Emperor Kangxi’s second tour of his southern empire in 1689.

Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints the religious houses of the vodun. Haas and his film crew follow Cyprien as he first paints and then takes part in the ceremony to open a new temple. The paintings include three vodun figures and several emblems, including a pipe and a duck. Cyprien explains his work in the context of the religion and takes the crew to film two other local ceremonies, one where the dead are believed to come back to instruct the living through wild dancing and, another, where women warriors perform their war dances.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A man of the cloth finds his faith challenged both by the death of one of his closest relatives and the aftermath of the crime in this thriller. When a man is murdered under mysterious circumstances, his brother, a Catholic priest (Richard Grieco), decides to start his own investigation with the help of his uncle, a detective, in hopes of tracking down the killer.