Kardinal

Photos are no longer enough to nourish the memory of happy days... Poems are powerless to preserve lost love... To return to the place of ecstasy is to return to Eden... With risks and perils...

Documentary telling the story of the women who fed the life and art of Pablo Picasso, many of whom would find themselves damaged forever by the experience of being his partner.

A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

The film is an allegory in which the attempt is made to show the inner process of movement of the composer's soul at the time of the birth of music.

The mute documentary-experimental film "Ten Minutes of Silence" is a film expression of the trends embodied in the painting "Black Square" by Malevich and J. Cage in music.

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.

The creation of an infinite space. Light modulations over water surfaces, conjugating into multiple alterations. Time and light being reshaped through a liquid lens. The illusion of a starry night turns into a sea “roofed over by rainbows.”

Flash Passion is one of the very first films that the two artists made in Athens when they took up the super-8 camera and extended their theatre practice towards cinema. Here, Maria Klonaris looks at/films Katerina Thomadaki.

SMOKING is a brief portrait of Maria Klonaris composed of seven shots. Katerina Thomadaki completed it in 2016, two years after Maria Klonaris' passing, from rushes shot in 1975 at the time of the filming of DOUBLE LABYRINTHE. The Greek word that appears at the beginning of the film, μετείκασμα, signifies "meta-image" and refers to retinal persistence.

With this film-manifesto, the two artists invent what they called the Cinéma corporel (Cinema of the Body), they present themselves as a "double auteur femme" and they lay the foundations of the radical critical and esthetical positions of their work to come. Double Labyrinthe has a mirror structure based on their "mutual gaze": in the first part Katerina performs while filmed by Maria and in the second part Maria performs filmed by Katerina.

How did the Impressionists view the world? What relationship did they have with technique, with color, with light and with the universe of shapes that made up reality before their eyes? How were their works received? How did they go from being rejected by critics and the public to becoming among the most loved in the world in a few years? Secret Impressionists is an immersive journey into the intimacy of the Impressionists and their paintings which aims to offer a "privileged" visit that stimulates the spectators' curiosity and gives them a perspective on the works complementary to the live experience, allowing spectators in the hall to immerse themselves in the work of painters and grasp unpublished details.

A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films.

A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.

Cheng, an ambassador of Peranakan Culture in Singapore discovers a painting that propels him to leave Singapore.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

The first Surrealist film perestroika years.

The loneliness of man before nature. Loneliness in the urban environment. Loneliness as a way of life. Alone in front of myself - The film is dedicated to the artists of "Silver age" or "Fin de Siecle". This dedication applies primarily to Kazimir Malevich, and Edvard Munch.

Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.