A Profile of 'The Red Shoes'

In Search of Kundun, a “making-of” documentary that is so much more, follows Scorsese as he plans his epic film and shoots in Morocco, and continues on to an audience with the Dalai Lama himself in the foothills of the Himalayas. Edited from over a hundred hours of footage, the documentary captures Scorsese’s fervor as a filmmaker and a man, the modest yet charismatic Dalai Lama, and the plight of the exiled Tibetans. -Denver Film Society

A documentary about Roberto Rossellini and the making of his 1950 film "Stromboli."

Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.

Werner Herzog discusses the making of "Nosferatu" on set.

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?

A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.

The life and work of the brilliant German filmmaker Volker Schlöndorff, a cross-border artist who, by leaving Germany and making the whole world his place of work, acquired the objective perspective necessary to portray his country's society better than anyone else while providing a unique and original point of view on the troubled history of the European continent.

Rudolf Schündler, who played the role of Hardy, describes his experiences on Fritz Lang's Das Testament des Dr. Mabuse.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.

Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.

Exploring the edits to receive an R rating from the MPAA.

An appreciation of Dressed to Kill by Keith Gordon

A documentary presenting the behind the scenes of Rob Reiner's classic "Misery", with Reiner himself, Kathy Bates, James Caan, Frances Sternhagen, writer William Goldman, Barry Sonnenfeld (the film's cinematographer) presenting their views on the film years later of its release and the impact "Misery" had in their professional lives.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

A documentary that takes a look at the film and media industry of New Mexico and its impact today.

A documentary insight behind the scenes of Roberts Altman's Short Cuts.

Room Full of Spoons is an in depth documentary about the cult film that is widely accepted as the worst film ever made: The Room, and it’s eccentric creator Tommy Wiseau. Referred to as “The Citizen Kane of bad movies” by Entertainment Weekly, The Room grossed only $1800 during it’s initial box office run. Against all odds, Mr. Wiseau’s disastrous film found a new life on the midnight movie circuit and now plays to audiences around the world making it one of the most adored and important films in popular culture. Follow Rick Harper and his team on their journey across the Globe as they experience this midnight movie phenomenon, meet with the entire cast and crew of the The Room and piece together the story behind the mysterious Tommy Wiseau. The film has not yet received a full release due to legal action taken by Wiseau against the filmmakers.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

A documentary about the International Queer Film Festival Hamburg that celebrated its 25th anniversary in 2014. The filmmakers have filmed, interviewed, gleaned the archives, watched hours of footage and edited reams of material into a small masterpiece. With its gorgeous shots and sublime soundtrack, the documentary entertainingly brings across both the unique atmosphere and 25-year history, and above all, illuminates the complex mesh that both forms and carries the festival. On another note, the film tries to detect the ways a queer film festival like this has functioned as a platform for unheard voices - and continues to do so in the present. For some people, its sole existence has been a life changing momentum.