Smash His Camera

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

Historians and engineers investigate how Allied forces conspired to destroy Hitler's "supergun".

Photographer Helmut Newton talks about his work.

A look at the rise and fall of Mel Gibson's career using footage from across the web.

Memories, mirrors, madness and Memento collide in this experimental video essay focusing on the photographs and photographers in thousands of narrative films. All the Memory in the World is a stream-of-consciousness meditation on cinema, photography, identity, memory and dreams narrated by an insomniac who obsesses over images.

How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

Pros and cons of private life going public

Documentary about the work of photographer Alair Gomes, one of the first artists to introduce male nudity in Brazilian photography.

Through a film letter, Lara communicates with her great-grandfather Paco, whom she barely knew. She explains to him what has happened since he died.

Mexico Cup, 1970: Pelé scores the goal against Czechoslovakia, helping the Brazilian team towards its third championship. Orlando Abrunhosa immortalized the feat in the most reproduced photo around the world, but this is not his only feat.

Ara crema

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Revela la Ausencia

What we know today about many famous musicians, politicians, and actresses is due to the famous work of photographer Harry Benson. He captured vibrant and intimate photos of the most famous band in history;The Beatles. His extensive portfolio grew to include iconic photos of Muhammad Ali, Michael Jackson, and Dr. Martin Luther King. His wide-ranging work has appeared in publications including Life, Vanity Fair and The New Yorker. Benson, now 86, is still taking photos and has no intentions of stopping.

A documentary about how Rwandans use personal and family photographs to remember and commemorate the loved ones they lost in the 1994 genocide.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

A promotional documentary film starring Heather Hite, a Cleveland based photographer. Heather speaks about her approach to erotic photography in the lead up to the release of her first photography collection, Heavy Petting, from With an X Books.