The Bride

Six-year old Lin resides in an isolated fishing village with her brother and their widowed mother. When the family gets an opportunity to start a new life, Lin has a startling revelation. A melancholic tale inspired by real events.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

On April 6, 2001, a gas explosion occurred in the Chenjiashan Coal Mine of the Tongchuan Mining Bureau in Shaanxi Province, killing 38 people. On November 28, 2004, a gas explosion occurred in the Chenjiashan coal mine, and 166 people were killed. Five years later, Lin Xin, the son of the miners, filmed this film about mine disasters. Through the oral interviews of more than 20 people, such as miners and family members of the victims, and random interviews on the street, the film presents the real life of the miners and the cruel and complicated social reality behind the mine disaster from different angles. This film is the end of Lin Xin's "Trilogy of Survival".

Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.

Andy is a novelist who works from home. One day, a girl mysteriously appears in his toilet. She claims to be from the future and needs his help. Her name is Pomegranate.

A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.

It is recommended to watch "Catch the Ghost" first, then watch the film. On the third day of the first lunar month, in Dongchenlou Village, Yuncheng County, family and nephews gathered. Hengxin concealed his parents and started a drinking contest with his brother.

Class 172 is a key class for their excellent students of an ordinary secondary school in Hunan province, from which the kids’ main goal is to upgrade into one of the best province-level high school – No.1 high school of the county. In the recent few years, the school’s enrollment rate to high school was not quite satisfying, and this year, the newly promoted class in charge teacher – Mr. Xiang, who’s only graduated a few years ago, became their brightest hope to teach the students and raise the enrollment rate for school.

The documentary film, The Road, reveals the status of 22 students who study in a private village school in Hunan Province. Through in-depth interviews, the inner world of these “left-behind children” who are lack of parental love has been explored. We hope that through this film, we could hear the responses and actions from our society.

In order to face his 30th birthday, the author of the film began to implement a long-planned plan for the Dragon Boat Festival, bringing a dog, a computer, some vegetables and eggs to the dilapidated yard on the north side of the mountain in Pingyao County, where he will live alone for more than a dozen. Day and night, organize and pack the first half of my life, recall and think, talk with the self in the device, and smoke, silence, think or sing with the middle-aged neurotic who comes to ask for cigarettes every day.

The player of Jia Zhangke's early film "Xiao Wu" and the famous independent film activist Wang Hongwei talked about Chinese independent films at the IFF Independent Film Forum.

I just watch the news of war in a distant country on my mobile. My fingers go back day by day to the day the war broke out and pose to see comments posted on the Facebook News Feed that I follow. Outside, I have friends who participated in anti-war rallies.

Fishermen couple Ah Shing and Mei-wah, having lived from boat to shore, stayed together for most of their lives. After their son grew up, they have different visions towards the rest of their days. Ah Shing insists on fishing amid the decline of the local fishing industry. Mei-wah works as a factory worker and wishes for a more stable life. Even when there are subtle and profound changes in their relationships due to the different views, their affections for each other never stopped and they still support each other. This story is based on the real-life experience of the director's parents, and they play their own character in the film.

The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

The father tells his daughter Nunu a lie that there is a cow in her milk cup. She believes it and drinks up milk, but there isn't any cow. Her father tells her a variety of lies, which Nunu finds increasingly difficult to believe.

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.

The pool table faces shattered statues. Nobody. Broad fishnets drape crumbling walls. Nobody. Bikes chained to pillars. Nobody. Three caryatids gunned down. Nobody. The asphalt sea will surge here soon. Nobody. On the beach, one horse. Nobody. If you stand here, you're an extra, nobody. Nobody, nobody keeps watch at home.

Part mournful meditation through documentary footage, part experimental narrative. This film looks at the life of the Chinese who have been displaced within their own society.