Children at a Village School

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

A small rural township called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62-year-old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.

"Mazu" or "The Sea God" has been the most important religious belief of ordinary people in my hometown for four hundred years. Along the coast of China and even in the Nanyang region, there is at least one temple dedicated to Mazu in various seaside cities-this geographical and historical distribution coincides with the contemporary economic or industrial area of Chinese society. It is frustrating that rapid economic development has led to global warming. The factories located on the coast of southern China from all over the world will eventually cause flooding and inundate these temples dedicated to Mazu. This is indeed a very ironic discovery for our civilization, "We", not only Chinese or all human beings, now or in the past, how can we Chinese avoid this upcoming tragedy?

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"

Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

The documentary film, The Road, reveals the status of 22 students who study in a private village school in Hunan Province. Through in-depth interviews, the inner world of these “left-behind children” who are lack of parental love has been explored. We hope that through this film, we could hear the responses and actions from our society.

Zhang Ming went back to his hometown Wushan to record the last images before it being changed forever by the upcoming Three Gorges Dam.

In northeastern China the Songhua River flows west from the border of Russia to the city of Harbin, where four million people depend on it as a source of water. Songhua is a portrait of the varying people that gather where the river meets the city, and an ethnographic study of the intimate ways in which they play and work.

A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.

A documentary chronicling the coming of age of a young chinese man.

For Chinese parents, finding out that their kid is gay usually presents a major tragedy, with the big majority utterly unable to accept the homosexuality of their son or daughter. However, during recent years a fresh rainbow wind has been blowing over the Chinese mainland: a pioneer generation of Chinese parents has been stepping up and speaking out on their love for their gay kids. This documentary features 6 mothers from all over China, who talk openly and freely about their experiences with their homosexual children. With their love, they are giving a whole new definition to Chinese-style family bonds.

"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.

One long tracking shot through a park in Chengdu.

In his third film on life and work in the (once) heavily wooded north of China, Yu Guangyi (Survival Song) follows the lonely San Liangzi (46), who for the past ten years has been in love with a woman who doesn’t like men much. Intimate and revealing, but never rude. A moving and human portrait of a group of unemployed and above all lonely men who stayed behind when their wives moved to the city looking for work. They worked in the timber industry in the province of Heilongjiang, but deforestation has taken its toll. For instance, we see 46-year-old San Liangzi. Twelve years ago, he divorced his wife and became unemployed. For 10 years, he has had an eye on Wang Meizi, the only unmarried woman in the area. But the love is not mutual.

17 riders with avarage age 81 decide to follow the dream of their youth and start their journey to ride around Taiwan island.

The "Great Sichuan Earthquake" took place at 14:28 on May 12, 2008. In the days after, ordinary people salvage destroyed pig farms in the mountains, collect cheap scrapped metals, or pillaging other victims' homes. Behind the media circus of official visits is an inconsolable grief of families searching for loved ones. As the Lunar New Year approaches, vagabonds and family tell of the ill-handling of rebuilding schemes and misuse relief funds. As they prepare for another visit from a high official, the refugees are swept out of the town and into tent cities. The promise to put a roof over their heads before winter seems impossible to keep.

The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.

Taiwan's democracy is the envy of Chinese people all over the world. At the same time, when this two-party system-'blue' and 'green'-get at each other's throats, it seems to cast a dark cloud over this beacon of advancing democratization. How does the young generation, many of them first time voters, feel about the political environment they've inherited? Will they allow for their political differences to drive a deeper wedge into the Taiwanese society? A year and a half before Taiwan's 2012 Presidential Election I gathered a group of young people from across the blue and green spectrum to participate in a political dialogue. Although they're from opposing parties, they were willing to talk politics. Through these deliberately arranged dialogues, what sparks will fly?