With his startlingly outrageous behavior, GG Allin became one of the most infamous performers in the history of rock and roll. GG Allin: Live & Pissed 1988 contains a collection of live performances, television appearances, and interviews that pain a full portrait of the controversial singer. The DVD release of the documentary contains a San Francisco concert appearance.
Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.
Featuring portions of over a dozen songs, humorous British 'punk' ads, opinions, Ronnie Biggs, Malcolm McLaren (of course!), and a fantastic not-so-candid Lydon interview.
Documentary following Roger Miret and Vinnie Stigma of the band, Agnostic Front who played a key role in defining, shaping and establishing the sound and cultural code of conduct for the still-thriving movement. Unlike the dozens of bands that have come and gone, Agnostic Front is still going strong.
The urban on-line dictionary defines queercore as “Gay-themed, underground, independent music; usually punk rock (Team Dresch, Pansy Division, The Butchies, The Need, etc.)”. See for yourself.
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.
Cursive live at The Cat, Denver, CO - 3/16/2002
From London's 1970 mod scene to Sonic Youth, punk music has always been about attitude and anarchy. This comprehensive rockumentary traces the roots of punk, from The Velvet Underground and the New York Dolls to the Sex Pistols and The Clash.
Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
Grammy Award-winning, multi-platinum selling band The Pretenders (featuring the Legendary Chrissie Hynde) performs with special guests including Iggy Pop, Shirley Manson of Garbage, Kings of Leon and Incubus, recorded live at the Decades Rock Arena in Atlantic City, NJ.
The death of punk icon and X-Ray Spex front-woman Poly Styrene sends her daughter on a journey through her mother's archives in this intimate documentary.
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.