Kata

Documentary about making cheese in the Netherlands.

Roadliners is a film about inspiration and craft, and the uncelebrated typographers of the road. With filmmakers Pretend Lovers we documented a day in the life of Glasgow roadliner Thomas ‘Tam’ Lilley. While looking for inspiration for O Street’s new brand we stumbled on a typographer whose work was uniquely relevant to our company—one whose work embodied the values we hold dear: honesty, beauty, humility, and intelligence.

Extroversion is an attractive description, but why do we idealize this personality trait more highly? LISTEN TO THE WALLFLOWERS is a poetic short documentary about the need for quietness and spending time alone in a world that can't stop talking.

Jwan has escaped from the war in Syria and come to Turkey. In the daytime he works at a clothing store and during rest of his daily life he writes scripts. He wants to be a film-director. With an old camera in his hand, he makes conversations with them who come from Syria and trains his camera on them. People share their own dramas, disappointments, hopes and hopelessness with Jwan.

An African entourage makes a spectacular appearance in postwar London.

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

In an effort to improve feminine hygiene, a machine that creates low-cost biodegradable sanitary pads is installed in a rural village in Northern India. Using the machine, a group of local women is employed to produce and sell pads, offering them newfound independence and helping to destigmatize menstruation for all.

On April 14, 2014, the sleepy agrarian town of Chibok, in the North East zone of Nigeria, was thrust into the global spotlight when the terrorist group Boko Haram stormed the community at night and abducted 276 teenage schoolgirls from their dormitories. Daughters of Chibok deals with the aftermath of the kidnappings, and explores topical global issues of gender rights and the right to education.

Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.

A three-minute visual essay on African-American stereotypes regarding sexuality, and their connections to pornography and modern society.

Features a dead mouse with ants on it.

Chapter 9 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1940 to 1944. The presidency of Manuel Avila Camacho (1940-1946) in the context of the World War II.

Chapter 12 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1955 and 1959. At the end of the presidential term of Adolfo Ruiz Cortines and the beginning of the presidency of Adolfo Lopez Mateos, Mexico is experiencing political stability and economic recovery after the 1954 devaluation.

Women from the different Spanish regions dress in their traditional costumes to attend the triumphal parade celebrating the victory of Francisco Franco and the rebel side over the Second Republic in 1939; the deeds of past heroes are remembered; and a patriotic poem by Nicaraguan poet Rubén Darío is recited.

Footage of this film was found in his belongings of director Mark Zenner after his death. A classic slice of Australian punk, both literally and figuratively, as razor sharp editing and collage techniques enliven the documentary on several punk bands.

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

"Visionary post-war modernist Tyeb Mehta channels the nightmares of the nation in Koodal, at once the artist’s self-described “autobiography” and a profound meditation on collage, crowd control, cinematic subjectivity and the violence buried within every glorious act of foundation." -- Sarkari Shorts

Based on Elizabeth Swados’ picture book of the same name, this animated short film charts one woman's struggle with depression.

Editorial, poetic and kind, Stella’s aim for the film is that the queer community sees it and immediately knows that “this was made with love, not with the usual ‘once a year rainbow’ vibe”. At its core, the film makes space for multiplicity: “As a queer director myself, I really wanted to strike the balance between telling true queer stories, which are sometimes sad and sometimes happy.” The intergenerational cast was asked to write a letter to their younger/older self. A selection of quotes acts as the collective voice of the film.

A girl’s home falls apart as a result of her parents’ divorce. Her buried memories are revealed through a sea of grains of sand.