Murder at the Marathon

The history of the Boston Marathon from its humble origins starting with only 15 runners, to the first female runners, through the tragedy in 2013, and ultimately the triumph of 2014.

In April 2013, chaos erupted in Boston near the finish line of one of the world's oldest and most prestigious marathons. It was the worst terrorist attack on the United States since 9/11 and led to one of the most extensive and public manhunts in American history. Now, as the one-year anniversary approaches, National Geographic Channel presents a special two-hour event, Inside the Hunt for the Boston Bombers.

A documentary about Boston and the technology involved to catch bombers

In 1980 Jay Helgerson shocked the world, becoming the first person to run a marathon a week for a year – each race completed in under three hours. For the last ten years, his daughter, filmmaker Alexandra Helgerson, followed him with a camera in order to understand the eccentric man who raised her. What she gets are his projected anxieties, his struggles with physical age and emotional distress, all while he endlessly trains for the Boston Marathon. But as Jay trains, the film is nearly derailed by Alexandra’s encounter with a life threatening illness. Ultimately, AGE GROUP WINNER is an affirmation of the will to live.

Immediately after the Boston Marathon bombing in April 2013, amateur detectives took the Internet chat rooms to try to find the culprits, looking for details in photographs uploaded to the sites that could point to the guilt of potential suspects.

This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and - at times - goofy story that becomes increasingly poignant as the minutes tick by. It's the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy's pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.

A victim of the Boston Marathon bombing in 2013 helps the police track down the killers while struggling to recover from devastating trauma.

In the aftermath of an unspeakable act of terror, Police Sergeant Tommy Saunders joins courageous survivors, first responders and investigators in a race against the clock to hunt down the Boston Marathon bombers before they strike again.

A rousing tale of the Korean athletes who ran the 1947 Boston International Marathon, the first international marathon held since World War II.

A fictional film about a runner's relationship with his sister and brother as he tries to qualify for Boston.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.

The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.

While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.

Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape.

A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.

WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.

Donkeys inhabit and communicate with each other - and the filmmakers - in a Sanctuary.