Norm

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.

Mankind can no longer reproduce because of gene manipulation aimed at making life longer. The clones ruling the bottomless underworld may have become fertile. Parton is selected to go on a mission through a subterranean labyrinth crawling with monsters to secure humanity's future.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A four-dimensional short anime will start at the very beginning of Shibuya Crossing, that is, 10,000 years in the past. The anime is part of a collaborative project helmed by Yoshitoshi Shinomiya. It features a hybrid of animation and live-action. The short was screened on Shibuya's Crossing screens and a YouTube-friendly version was posted as well. (Source: ANN)

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

The Selfish

A girl who was floating freely in the water accidentally gets her skin cut by a sailboat passing by. The story is derived from personal experience, recreating the senses of women in love and the unique inner sense of time through creation.

Animation by japanese artist Keiichi Tanaami for John Lennon's song "Oh Yoko!" -- the song was released in 1971, and the animation made in 1973. Keiichi Tanaami (田名網 敬一, Tanaami Keiichi, born in 1936 in Tokyo) was one of the leading pop artists of postwar Japan, and was active as multi-genre artist since the 1960s as a graphic designer, illustrator, video artist and fine artist until his death in 2024.

In Madonna, Tanaami employs his signature collage-style animation, combining pop art influences, retro aesthetics, and surrealistic motifs. The film explores themes of desire, fantasy, and memory, often referencing elements of post-war Japanese culture and American pop culture.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.

Dissonant selves dancing around opposition and harmony.

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.

An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.

In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.

Conceived in 1922, conceptual design published in "De Stijl Nr. 5" (1923), but not realised until 1959.

In the 1920s, Man Ray directed four films which, although largely unknown by the general public, made him into a major figure in avant-garde cinema. His films were to be as radical as his images or objects. Included: Le Retour à la Raison, Les Mystères du Château du Dé, Emak-Bakia, L'étoile de Mer and collected shorts.

6 students find themselves trapped in a mysterious futuristic complex, forced to dance to the tune of a sadistic computer game, where failure to follow the game rules results in death.