Self-Portrait (Asleep)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Desperate to become as rich and successful as their idol, a trio of Michael Jackson impersonators hustle their way into Hollywood agencies, are accosted by paparazzi, and cross paths with Grammy-winning musicians as the American dream seems tantalisingly close. But as they perform for dollar bills and sleep in their car, the reality of the ruthless entertainment industry they dream about hits home.

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.

Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

Topo estrellado

A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.

H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.

L'Homme qui revient de haut

Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

This collection of David Lynch's short films cover the first 29 years of his career. Each film is given a special introduction by the director himself. His earliest underground films Six Figures Getting Sick (1966), The Alphabet (1968), The Grandmother (1970) and The Amputee (1974) are showcased as well as two requisitioned works well into his successful career The Cowboy and the Frenchman (1988) and his addition for Lumière and Company (1995).

Vertiginous documentary, shot in effective black-and-white, treats two painful histories. The first is a love story about a truck driver who, on his way from Johannesburg (South Africa) to Luderitz (Namibia), is haunted by thoughts of his girlfriend and their recently severed relationship. His memories are expressed in an often recurring scene, in which songs by Alec Empire, Macy Gray and Robert Schumann roughly tell the story. This small history is alternated with the tragic fate of the Namibian Heroro people, many thousands of whom died early last century in concentration camps that had been set up by the German colonisers near Luderitz. The depiction of this history is cruder and more poignant, with slanting frames, odd camera angles and a multi-layered sound sculpture. The dilapidated barracks and officers' quarters are the last remnants of the miscarried, so-called civilisation projects in Africa.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A film about friendship and the occasional loneliness.