Self-Portrait (Asleep)

What compels a man to push the limits of what is attainable ever higher? After thirty years of relentless struggle with the highest peaks on earth, Marc Batard has finally found the answers to these questions. He had to reach the summit of Everest twice, once shattering the record for fastest time in 24 hours without oxygen, and climb the most difficult faces of the Alps to glimpse the path to inner healing. It was through physical suffering that he was able to confront the pain of his soul. He was finally able to talk about the violence of his childhood, the shock he carried like a ball and chain for decades. Having completed his summit therapy, Marc Batard tells his story in this documentary by Gilles Perret.

In 1992 the Universal Exhibition in Seville was held in Spain. Chile participated in this exhibition by displaying in its pavilion an ice floe captured and brought especially by sea from Antarctica. In these true facts is based the fantasy narrated in Dreams of Ice. Filmed between November 1991 and May 1992 on board the ships Galvarino, Aconcagua and Maullín, in a voyage that goes from Antarctica to Spain, in this documentary film in which dreams, myths and facts converge towards a poetic tale turned into a seafaring saga, in the manner of the legends of the seafarers that populate the mythology of the American continent and universal literature.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

An experimental sports film made partly during the Scandinavian Open Championships in Halmstad in 1970, partly during the Chinese players' exhibition tour in Denmark immediately after the SOC. First of all, it is a film about their style, about the artistic culmination that is ping-pong at its best, it records China's comeback into the international sports world.

An experimental project made up of 10 minute silent portraits with 60+ participants.

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

Bandits, Bandits, Brazil, Munchausen, Twelve Monkeys, not to mention the crazy Monty Python saga... With their visual extravagance and ever-fresh originality, amplifying his vision of a humanity that is as disturbing as it is comical, his films have made history. In the same baroque, zany, but also tragic vein, Terry Gilliam's work and life merge into an adventure that borders on the epic.

The antithesis of the virile heroes of his era, James Dean shook up the representation of adolescence and masculinity in three films shot in 1955, the same year he died in a car accident at the age of 24—exactly seventy years ago: Rebel Without a Cause, East of Eden, and Giant. This meteoric rise made him an instant icon, frozen in eternal, rebellious youth, which still resonates strongly today.

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

The documentary film tells the story of Zucchero Sugar Fornaciari through his words and those of colleagues and friends such as Bono, Sting, Brian May, Paul Young, Andrea Bocelli, Salmo, Francesco Guccini, Francesco De Gregori, Roberto Baggio, Jack Savoretti, Don Was, Randy Jackson and Corrado Rustici. A journey of the soul which, thanks to images coming from Zucchero's private archives and from the "World Wild Tour", his last and triumphant world tour, goes beyond the portrait of a successful musician reaching into the doubts and fragilities of 'man.

A first feature based on sexual events. An actress undertakes her desire of directing her first movie, without a budget or any production company funding her project. She gathers a group of professional actors and actresses, and proposes a project based on a very particular experience: stepping on their fears through a metaphorical 'leap of faith'. As the project advances, individual conflicts will arise affecting the shoot, making the movie crew wonder whether or not they should go on. Will they take the leap of faith with all its consequences?

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Je m'appelle Régine et je vous emmerde !

"A fisherman, dark-skinned and shirtless, sits in a boat on a quiet river and, before long, catches a fish. The fish gasps for air and the fisherman holds it to his chest until it dies. This sequence—performed by a series of fishermen, of various ages and using various styles of capture—is the spine of the work, interrupted by passages of quiet natural beauty; one shot is a steady, stately pan through scores of trees and empty air behind." - Vinson Cunningham

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

A chronicle of the first nine years of Pope Francis' pontificate, including trips to 53 countries, focusing on his most important issues - poverty, migration, environment, solidarity, and war - while also giving rare access to the public life of the pontifical.

Alex and José, is a 16mm single channel projection that explores gender, movement and form.

Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.

A story about a woman descending into mental illness.