Theatre of War

Los Niños Héroes de Chapultepec

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

Behind-the-scenes documentary focusing on Marcus Luttrell, the lone survivor of a four-man Navy Seal team ambushed by the Taliban in 2005.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Jeremy Clarkson tells the dramatic story of the Arctic convoys of the Second World War, from Russia to the freezing Arctic Ocean.

How do we heal our deepest wounds? Two combat veterans, suffering from severe trauma, abandon pharmaceuticals in order to seek healing through psychedelic medicines. Recent scientific research has shown that these substances can help people to recover from post-traumatic stress disorder (PTSD). Beyond the personal stories, From Shock to Awe raises fundamental questions about war, the pharmaceutical industry, and the US legal system.

Khawla's Goal

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

An examination of the how television news in the US has covered war from Vietnam to the present day

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.

John Banvard and Jerry Nadeau are military veterans who served in World War II and Vietnam, respectively. John, 100, and Jerry, 72, sat down at the veterans home where they live to reflect on nearly 25 years together.

Uninhibited examination of the legacy of Lebanon’s civil war. A reflection on the destinies of comrades who were once bound by ideologies and remain tightly knit friends. The film travels the chimeric and daunting reality of Lebanon's fractured post-war landscape.

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

Winner of the Grand Jury Documentary prize at the Sundance Film Festival, Syrian filmmaker Feras Fayyad’s breathtaking work — a searing example of boots-on-the-ground reportage — follows the efforts of the internationally recognized White Helmets, an organization consisting of ordinary citizens who are the first to rush towards military strikes and attacks in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders — Khaled, Subhi, and Mahmoud — as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee or stay and fight for their country?

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

Documentary about the sinking of the Britannic during the First World War, examining how she ultimately came to suffer the same fate as her sister ship, the Titanic. The Titanic sank in April 1912, and her sister ship, the Britannic, ultimately suffered the fate, sinking in 1916 due to an explosion caused by an underwater mine. In the wake of the Titanic disaster, Britannic was re-engineered to be even stronger. And yet she sank in just 55 minutes - three times faster than Titanic. It's one of Britain's greatest untold disaster stories. Now on the 100th anniversary, presenters Kate Humble and Andy Torbet piece together exactly what happened in those 55 minutes. While Andy makes a dangerous dive to the wreck, Kate speaks to descendants of the survivors. The characters she uncovers include Violet 'Miss Unsinkable' Jessops, who survived both Titanic and Britannic, Captain 'Iceberg Charlie' Bartlett and lookout Archie Jewell, who miraculously survived while those around him died.

39-45 L'histoire des bases sous-marines