Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
In northern Morocco lies the Spanish enclave of Melilla: Europe on African Land. On the mountain above live over a thousand hopeful African migrants, watching the land border, a fence system separating Morocco and Spain. Abou from Mali is one of them – the protagonist in front of the camera, as well as the person behind it. For over a year, he has ceaselessly persisted in attempting to jump the fence.
Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.
Beatrice is an 18-year-old young reporter with the Children’s Radio Foundation (CRF) in Lusaka, Zambia. She is part of the Unite4Climate Radio Initiative, a project which uses the power of radio to challenge mindsets and shift behaviours around environmental protection.
The film is an evocative story of the tenuous relationship between a charcoal burner and forests. The film follows Lloyd on his journey from burning charcoal to setting up a micro-nursery selling trees to his neighbouring community – a brief window into his deep rooted connection to forests around Livingstone.
In partnership with the MasterCard Foundation and local partner Mwanza Youth and Children Network, the young reporters produce and broadcast radio shows that illustrate how farming can lead to individual prosperity and country-wide economic growth and teach the business and finance skills necessary to manage these small agricultural enterprises.
There are thousands of people working as scrap workers in Agbogbloshie, Accra, Ghana, and Abdallah is one of them. Like the majority, Abdallah is from the northern part of the country and behind him, there is a big family awaits support. The air pollution caused by the open burning of electronic scraps has raised Muntaka’s concern, who is trying to stop them from burning…
A pain management specialist in a Berlin hospital laments how difficult it is to see if black skin has turned blue. The patient, 15year old Arlette, doesn’t understand German. Her knee was injured in the war, and unknown wealthy Germans have helped pay for her trip to have surgery in Europe. The camera follows Arlette on her journey, from her worried family in Central African Republic to the desolate rooms of the hospital and the rehabilitation centre. The girl’s gaze is captivating but impenetrable, and the easily bored teenager surrounded by adult strangers is only cheered up by an interpreter who knows her mother tongue. The story takes a gloomier turn when it transpires that rebel forces have taken up arms in Arlette’s home country.
Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.
The Gangbé Brass Band, a musical group from Benin, sets out to conquer Lagos, capital of Nigeria.
A bloody civil war in Central African Republic has divided a once peaceful nation along religious lines. Two children, one Christian and one Muslim, seek answers in each other.
Follows in an unconventional way the journey of 'ISH', a former Miami based rapper, who traveled to Africa to visit family. Little did he know that Libreville Gabon would be the place where the project of his dreams would fall on his laps. Against all expectations the alchemy born between him and 2 local beat-makers would lead to the making of a potential first album. Written and Directed by Marc A. Tchicot and Franck A. Onouviet, the film captures glimpse of great encounters and musical moments between people from opposite backgrounds driven by the same passion: music. 'The Rhythm of my life' belongs to the new generation of short films, which combine fiction and documentary style. Deeply grounded in the line of non formatted and guerrilla style independent projects, the rhythm of my life set a different direction for film-making in Gabon and Africa.
Documentary about the inhabitants, both human and animal, of the Belgian Congo. Released in 1958.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
A small Algerian town, off the beaten track of the war that is tearing the country apart. At the heart of the crisis that is destroying it, two young men, without work, without leisure activities, without hope, without anything... The film follows them in their daily wanderings between endless boredom and the expectation of the improbable. And shows their humour, their friendship, their will to live regardless.
Brussels, Béguinage church. Migrants organize a hunger strike to obtain papers. A man dies. Tunisia, Libya. A border camp of Choucha refugees tell the horror of crossing the Sahara to the north. Liège. In a refugee center, a man narrates his Mediterranean crossing in a chamber of air. Three moments of a battle for survival.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.
Wilder Planet Erde - Afrika Gorillas
Wilder Planet Erde - Afrika Super 7
Throughout the continent, discovery of a new generation of independent self learners who share a common passion for African culture and aesthetics and a strong ethic in opposition to the huge fast fashion industry.