Die 7 Todsünden des Staatsbürgers
An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
A 10-year-old boy and his father support themselves by pulling a cart through Bombay's chaotic traffic. One day when they visit the doctor, they are told that they should change jobs. A visual and sound intensive documentary about a nightmarish traffic situation beyond all control.
Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime were given a coating of colorful paint in connection with the 50 year anniversary of the revolution. Two young Cubans under house arrest talk about being imprisoned for dealing with foreign tourists in a society where gossip and backstabbing is endemic, and where the heavy varnish can’t conceal the cracks.
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.
Wales prides herself in her wealth of natural resources, foundries, mills, and factories. Beyond this modern facade lies another treasure—a rich historical background and ancient lore. The great granite fortresses still remain as reminders that from the struggle and strife was born a pure and distinctive national culture.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
Veneno
Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens, Astrology, psychic powers, seances and astral projection, amongst others.
Ricky Tomlinson sits back in his chair and takes a fond look back at the much-loved comedy series The Royle Family, sharing his memories of playing head of the family Jim Royle and his experiences working with the show’s co-creator Caroline Aherne, who, as well as writing the show with co-star Craig Cash, also played Jim’s daughter Denise. Ricky talks about how a chance encounter helped him get the part of Jim, recounts what it was like filming some of the show’s most iconic moments, and tries to get the bottom of the origins of Jim’s famous, below-the-belt catchphrase.
Short movie about a young group of friends walking around Leningrad at night
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
The lives of Jeff, Lauren and Lloyd—three very different people who share one common experience—have been transformed by speaking up for mental health. These inspiring stories depict what mental health in America really looks like and highlights just how important it is to speak up and seek help.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
This sex education movie explore themes of body development, sexual hygiene, masturbation, menstruation, puberty, sex and giving birth.
Les voyages de L'Atalante
Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
La Belle Époque de Michel Ocelot
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.