It's Elementary: Talking About Gay Issues in School

Villagers in a remote district of central China take on a chemical company that is poisoning their water and air. For five years they fight to transform their environment and as they do, they find themselves transformed as well.

A collective work created by students of Bachillerato Popular Mocha Celis in Buenos Aires, the first of its kind in the world, the place offers transvestite and transgender adults the opportunity to complete their high-school studies. The films focuses on identity, inclusion, political activism and equal access to the right to education.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

Breathing Lessons: The Life and Work of Mark O'Brien is a 1996 American short documentary film directed by Jessica Yu. Mark O'Brien was a journalist and poet who lived in Berkeley, California. The documentary explored his spiritual struggle coping with his disability; he had to use an iron lung much of the time due to childhood polio. O'Brien died on 4 July 1999, from post-polio syndrome. It won an Oscar at the 69th Academy Awards in 1997 for Documentary Short Subject.

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".

Documentary about a Jewish senior citizens' acting group on the Lower East Side of Manhattan. The film covers both the progress and impediments of a play the group is mounting about senior citizens looking for love and the life/love stories (past, present, and predictions) of the players.

Eighteen months in the life of 89 years old Viola Dees as she tries of persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

Almost 10 years after being charged with a heinous crime, former members of a Chilean cult share their haunting experiences.

After the Stonewall riots and at the height of the gay liberation movement in America, an entire generation were busy celebrating their newfound emancipation, unaware of an impending epidemic. A disease that seemed determined to wipe out an entire generation of gay men, was largely ignored by politicians and the mainstream media. Gaetan Dugas was a French-Canadian flight attendant, who offered to help early scientific research into the origins of AIDS. An unfortunate series of events followed and he would be vilified as Patient Zero, the man who gave us AIDS.

This timely exploration of Hollywood and LGBTQ+ identity examines the life of legendary actor Rock Hudson, from his public "ladies' man" persona to his private life as a gay man.

Two Norwegian sisters receive a premonition from God that makes them buy an apartment in a tiny Swedish town, Gullspång. Meeting the seller, she is a dead-ringer of their older sister, who committed suicide 30 years ago.

Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.

The Cambridge Squatter tells the story of refugees, recently arrived in Brazil who, together with a group of low-income workers, occupy an old abandoned building in downtown São Paulo. Daily dramas, comical situations and different views on the world commingle with the threat of impending eviction.