Alone

A young man walks around town, after deciding against taking his own life, and comes across a dying bird--to which he chooses to offer shelter.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Luca visits his frail Nan on her deathbed, and reflects on their shared past through a series of vivid memories.

While decluttering her home, a woman's hefty house renovation leads her back to the past when she uncovers her ex-boyfriend's belongings.

A young adult silently drowning in trauma, yearning to let out what’s inside of him, navigates a series of encounters—each revealing fragments of his inner struggle, toxic masculinity, and unspoken vulnerability, as well as the painful dissonance between his desires and his actions.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.

He really likes Poughkeepsie Crispies. Maybe too much. A darkly funny, minimalist loop of repetition, ritual, and barely-hinged performance.

In this reenactment of a propaganda documentary, a woman is falling prey to the role assigned to her in slow motion. Upon her arrest, diplomat Mária Kerényi is interviewed by the state television. Her story in espionage confronts the mechanisms of autocracy and the concept of guilt in a closed society.

It’s like almost all is lost. Yet still they are here – abandoned bungalows, an artificial lake, dirty plastic bottles, lost donkeys and stray dogs, draining pipes running over fields of salt, deserted factories, statues of revolutionaries, concrete playgrounds covered with weeds, rotten fruit, folded T-shirts, pop songs, decades of forgetting, a single room with a blue tent inside. And it felt like a kiss.

BORDERS ARE THRESHOLD LANDS. To cross one is to stand at the dawn and at the dusk of a journey; is doubt and echo of a past that still clings to the skin. The two protagonists know this well, suspended in the weighty everydayness of transformation.

Notas de Cambio

A lone figure moves through a quiet, dark space as the victim resists.

"Beyond the Autumn" «Persian: پس از خزان» is a poetic meditation on the collapse that humanity calls "the end." Here, autumn is not a season of falling leaves, but a threshold where existence sheds its veil within the shadows. Beyond this descent, perhaps only a light of serenity remains. It whispers that following the world's silence, a subtler form of consciousness may emerge. "At the farthest edge of the soil, eyes open that no longer belong to the ground."

A young man performs 'pranayama' sitting against a bleak wall. We observe him through a frame that seems to be connected to him in some way. As we go on to witness the nature of the frame, will the images presented to us be able to convey his intentions, thoughts, and ultimately, his fate? This experimental feature film is comprised of 7 parts of black and white imagery with no sound at all.

A collection of solitary urban images intersect with each other.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

TomTom

They've built a movement out of minimalism. Longtime friends Joshua Fields Millburn and Ryan Nicodemus share how our lives can be better with less.

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.