Nikkah

The railway runs kilometers through the forest. Shikhamani is the most honest and efficient gang man. He lives in the nearby village. Quite unexpectedly a girl enters his life and the resulting events are plotted.

Sughu falls in love with the daughter of a rich man. In order to marry his lover, he seeks illegal ways to make money, but life takes a turn when his plans become flop.

A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.

The story follows Dawood, who wishes to don the cop uniform right from his childhood. He grows up to be a straight-laced, passionate policeman, who is sent off to a sleepy border suburb Kollanahalli for his first posting. An unexpected turn of events presents him an opportunity to prove himself.

Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.

Damanan and Madanan are thieves, who have been trying to pull off a good burglary. The break-in they plan goes downhill and the duo jump into a river in an attempt to escape. They lose consciousness while swimming, but both see a dream in which they are washed ashore in a land sans commercialization.

Rameshan, who has great love for cricket, fails to become a cricketer in his life. However, he tries to fulfil his dreams through his son when he realises that the child too has a passion for it.

A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.

Compartment is a docu-fiction movie which takes us into the life of two differently-abled children.

The story focuses on a woman who marries a man against the wishes of her family only to have him leave her. Will she succeed in bringing up her family all by herself while working at the same factory as her husband?

Thalappavu (English: The Headgear ) is a 2008 Malayalam film loosely based on the events related to Naxal Varghese and Police Constable P. Ramachandran Nair. The film portrays the social and political issues of the Naxalite era of the 1970s in Kerala.

Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.

Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.

Maradonna (Shanthnoo) is an aimless youngster who likes to waste his time doing practically nothing other than fooling around. For him everything in life is Oru Rasam (just fun). He likes to take the easy way out and lacks focus in his life. He is the only son of Joseph (Lalu Alex), a Banker and Mary (Ambika), who dotes on him. The only person who has a soft corner for him is the beautiful Sofia (Nithya Menon) who has a limp and is the daughter of a failed filmmaker, Kuruvilla (Vijayaraghavan). Maradonna messes up his life by getting into company of friends and starting an internet café that fails and to recoup his losses and attracted by ‘easy money’ he gets into drugs. Soon he is conned and loses everything after pledging his house to a ‘blade’ moneylender (Salim Kumar).

The film, in Malayalam and made by the Indian film maker K P Kumaran, AkashaGopuram is set among the Indian immigrant community in London and tells the story of Albert Samson (Mohanlal), a middle-aged architect who has clawed his way to prominence.

The story is set in the 1990s in a village and discusses the entry of globalization in there in a satirical manner. Vinayan is a young man, who works as an operator in Sreedevi Talkies, an old 'C' class cinema theatre. The owner of the theatre is Madhavan Nair, who is also the godfather of Vinayan. The effects of globalisation start reflecting in the functioning of the theatre.

The life of a father and son and their life experience when son tries to breakup with his lover.

Inspired by the Puranic story of Abhimanyu and his mother Subhadra, the film portrays the relationship of the protagonist with her baby, before and after it is born.

Karthikeyan, a liquor baron, sets out to take back his ancestral house which was usurped by Shekharan. To seek revenge, Karthikeyan abducts Shekharan's daughter and ends up falling in love with her.