Crazy Clay Wrestling

Christian is an average employee working in the less productive company of Canada: Imprim’ 2000. He met his new coworker, Stephen. The only problem is that Stephen is none other than a bear and that nobody except Christian seems to worry about.

Rouge et Blanche, two happy twin sisters, live in an arid plain on the edge of a hostile forest they are afraid to approach. The danger comes from elsewhere.

Uli has found an old book in the attic of the Kulturhaus that tells of the exploitation of the peasants by the feudal lords. He tries to imagine how the robber barons would fare in a socialist village. Then two of this type step out of a dusty picture and Uli joins them on their way to the village. There they fail miserably with their overbearing behavior, and even a break-in turns into a failure.

A runaway train speeds down the track.

In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo.

The adventures of a legendary hero who, dazzled by the beauty of a princess in the hand asks. This imposes several trials he emerges victorious. Only death will eventually bring the two young men.

The Crabe-Phare is a legendary crustacean. He captures the lost sailors' boats to add them to his collection. But the crab is getting old, and it is more and more difficult for him to build his collection.

Set in 80’s-Britain, when a group of rowdy teenagers trek into an isolated forest, they discover peaceful mushroom creatures that turn out to be an unexpected force of nature.

One person makes the long and difficult journey towards finding their own beauty. In trying to mimic the beauty of others around them, they repeatedly fail at their attempts to be something they're not. Only when they muster the courage to look inward, do they find what they were looking for all along.

A green crocodile who loves flowers and leaves falls in love with a pretty cow.

A series of mini-stories satirising our world in the 20th Century.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

Animated short film by Bruno Sukrow.

A man dying of thirst descends further down a labyrinth consisting of nightmarish Bosch-esque creatures.

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

Runaway is an animated short film about a misunderstanding between a man named Stanley and his treasured 1950s refrigerator, named Chillie.

In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't know why. The question seems a bit grandiose but I approached it quite simply. I have never worked with color photography as primary background to cut-out animation before. I was surprised that the result was so powerful (helped by John Davis' very resonant music). It was liberating to release human figures into an apperception of suggested space, along with the primordial enigma of the revolving sphere."

A journey of a 7 year-old boy's acceptance of his grandpa's death in a traditional Taiwanese funeral.

Jack is a young adult, who, looking for an elixir of life for his grandfather, falls into the dimension of Templis, where a map shows him the location of such an elixir. However, there are some setbacks on his way....