Kannan (Dileep) is the son of a fashion weaver Ayyapanashan (Babu Namboothiri). His father has sent him for fashion designing,but Kannan wants to make more money easier. His friends are Yesudas a.k.a Yesu (Lal),a goonda and Vasu (Kalabhavan Shajon).
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
Karthi and Riya elope one early morning to Ooty, fearing that the elders in the family will not accept their inter-religious relationship. They return to their respective homes after a couple of days after having a fight. They convince their loved ones that they hate each other and vow never to see each other again. The film would then trace the eventual course of their lives.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
Pakida tells the story of Aadi who meets a mysterious and concealing traveler George Koshy Anthrapper and travels with him from Kochi to Madurai. On their way, they come across two other characters Sunny and Kani who change their lives.
Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.
The film revolves around a guy and three others earn their living by stealing bicycles and selling them.
Georgekutty lives a happy life with his wife and daughters. Things take a turn when his daughter gets indecently filmed using a hidden camera, by the son of a police inspector.
Ezhu Sundara Rathrikal narrates the sequence of events that follow the protagonist's bachelor party.
Jiya is a rich girl who has a distinctive personality and has great hopes and dreams. An unfortunate incident shook her life. At this juncture two guys Pranav and Prince enter Jiya's life with definite intentions.
Stop Violence is a 2002 Malayalam film directed by A. K. Sajan. The film stars Prithviraj, Vijayaraghavan, and Chandra Lakshman.
While investigating a story, a journalist crosses path with an advocate. The investigation leads her to a series of complicated situations, unraveling secrets that can pose a threat to her life.
After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.
Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.
Dia(Pankaja Menon) heroine of the movie is a management student in Mangalore. She and four of her friends(Catherine, Hashim, Yamini and Chinna Gounder) visits Rajasthan for 15 days to attend a marriage. There she meets a Rajput boy Pavan(Arun Shankar) and falls in love with him. What happens to her there after that in that unknown land makes the content of the film.
The story of a young man who dreams to become a movie star.
Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.
Afzal is happy after his uncle helps him to set up his mobile shop. However, things take an unexpected turn when Azhagarsamy gifts him a virus-infected mobile application.
Shadiya Akbar IPS, a renowned police officer, addresses a group of trainees by narrating a memorable instance from her career. The episode and the characters of the case offer her a valuable lesson in a current case, that extends beyond the litigation.
A businessman who is trying hard to be a good father to his daughter has a run-in with malevolent policeman.