Salomé

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

A professional dancer struggles with his cravings for human flesh until his 'hambre', or hunger, becomes all encompassing. Accepting his status as an apex predator in human form, he fully embraces his life as a carnivorous hunter.

"The action of committing suicide" - is the most extreme action that somebody can do to themselves. High places to jump from: windows, abysses, edges. A strong place that takes the body to hang the rope. Any accumulation of water: the sea, a river, a lake. A body meets in a place with some tools + the will of being dead.

Modern dance is an evocative narrative tool in Georgia Parris' debut, which investigates a young woman's identity and the complex relationship she has with her mother and sister.

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

Birgit Cullberg's 1950 dance adaptation of Miss Julie was the breakthrough for modern dance in Sweden. 30 years later one of her sons plays the role of Jean in this adaptation for TV.

"The Magic Dancer" - A poetic, almost surreal text, that somewhat breathes Lorca. A unique lyrical universe.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.

Somewhere between a computer program, a troubadour romance, the Pietà and a Roman mystery cult - a boy and girl meet.

A short dance film about a mother’s relationship to her pregnancy, as she deals with fear and hope about bringing a black baby boy into the world in 2020.

Devastated and powerless as she watched the 2020 Beirut explosion and its aftermath from afar, Lebanese American choreographer Dolly Sfeir set about creating a work to express her delicate state of mind. IT CRIES TOO LOUDLY, is a dance film exploring the overlap between joy and tragedy in her tumultuous home country and the experience of being an emigre.

A jazz/dance film featuring the Martha Graham Dancers.

The grandmother figure in the story is an “artistic speaker” who performs in town but seems enigmatic to her own granddaughter. Over the course of the narrative, the granddaughter realizes that, far from succumbing to despair in old age, her grandmother is full of “young laughter that has found its way back to an old body.”

The sequel to "Painted" puts Andrew Wyeth’s ’Christina’s World’ into motion, and explores how bio-electricity galvanizes into discovering muscular intelligence. The light field was setup with 50 lamps, thousands of feet of power cord, and careful visual effects in post.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.

Portrait of Lester Horton, a Los Angeles-based dancer, choreographer and teacher who trained many world-reknowned dancers and built the first American theater devoted permanently to dance. Former students and friends, including Bella Lewitzky, Alvin Ailey, and Carmen de Lavallade, help create a picture of Horton through interviews. Includes numerous dance excerpts.

Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

Maher, a Palestinian man, a former political prisoner. He is an electrical engineer by profession but an artist at heart. He dreams of staging a contemporary dance performance in Ramallah. In order to do so, he must deal with his disapproving family, tight budgets and cultural norms. Set in today's most contested location, Maher's story is a parable about a society in conflict, where the real war is between dreams and traditions.

The Brothers Karamazov novel is the epitome of Fyodor Dostoevsky’s creative work, the acme of the philosophic investigation carried out by this colossal and restless mind throughout his life. World renowned choreographer Boris Eifman offers a remarkable vision of the core ideas within the novel, expanding upon them though body language as a way of exploring the origins of the moral devastation of the Karamazovs; creating through choreographic art an equivalent of what Dostoyevsky investigated so masterfully in his book, the excruciating burden of destructive passions and evil heredity. This ballet production is also known and performed as Beyond Sin.