La acción del suicidio

A jazz/dance film featuring the Martha Graham Dancers.

Somewhere between a computer program, a troubadour romance, the Pietà and a Roman mystery cult - a boy and girl meet.

Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."

The sequel to "Painted" puts Andrew Wyeth’s ’Christina’s World’ into motion, and explores how bio-electricity galvanizes into discovering muscular intelligence. The light field was setup with 50 lamps, thousands of feet of power cord, and careful visual effects in post.

A short dance film about a mother’s relationship to her pregnancy, as she deals with fear and hope about bringing a black baby boy into the world in 2020.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.

Salome was the daughter of Herod II and Herodias. According to the New Testament, the daughter of Herodias demanded and received the head of John the Baptist. This is a choreographed version of the play by Oscar Wilde.

Birgit Cullberg's 1950 dance adaptation of Miss Julie was the breakthrough for modern dance in Sweden. 30 years later one of her sons plays the role of Jean in this adaptation for TV.

The grandmother figure in the story is an “artistic speaker” who performs in town but seems enigmatic to her own granddaughter. Over the course of the narrative, the granddaughter realizes that, far from succumbing to despair in old age, her grandmother is full of “young laughter that has found its way back to an old body.”

A professional dancer struggles with his cravings for human flesh until his 'hambre', or hunger, becomes all encompassing. Accepting his status as an apex predator in human form, he fully embraces his life as a carnivorous hunter.

Modern dance is an evocative narrative tool in Georgia Parris' debut, which investigates a young woman's identity and the complex relationship she has with her mother and sister.

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

"The Magic Dancer" - A poetic, almost surreal text, that somewhat breathes Lorca. A unique lyrical universe.

We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

Fibonacci

Released on DVD as part of The Criterion Collection's "Martha Graham: Dance on Film" collection.

Filmmaker Maia Wechsler follows choreographer Stephen Petronio as he prepares dancers to restage the 1968 production of "RainForest."

While most of Ken Russell's documentaries for the BBC's Monitor arts strand focused on a single creative figure, he would also occasionally make more wide-ranging surveys of the state of a particular art. The Light Fantastic (BBC, tx. 18/12/1960) was written and presented by Ron Hitchins, a Cockney barrow boy who has long been interested in a great many dance forms, and who has recently taken up Spanish dancing. Hitchins participates in some of the dance sequences, but his main contribution is an enthusiastic commentary that helps personalise what could have been simply a disparate collection of dance footage. He's not shy about expressing likes and dislikes, being none too keen on ballroom dancing (too choreographed), rock'n'roll (too monotonous) and Morris dancing (just doesn't like it), though anything genuinely spontaneous gets a thumbs up, even if it's a room full of people dressed in black swaying to the sound of a gong.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.