This Emmy award-winning documentary explores the deeply rooted psychological issues that victims of sex trafficking face on a daily basis at the hands of pimps and buyers. Through firsthand testimony of abuse from three survivors of the illicit sex trade, the complex nature of this form of modern-day slavery is revealed. Investigative interviews with leading experts provide further insight on what drives the industry, exposing misconceptions many of us harbor that allow sex trafficking to thrive.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
Exposing the dark underbelly of modern animal agriculture through drones, hidden & handheld cameras, the feature-length film explores the morality and validity of our dominion over the animal kingdom.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
Not My Life comprehensively depicts the cruel and dehumanizing practices of human trafficking and modern slavery on a global scale. Filmed on five continents, in a dozen countries, Not My Life takes viewers into a world where millions of children are exploited through an astonishing array of practices including forced labor, sex tourism, sexual exploitation, and child soldiering.
This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.
Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.
The effects of pollution on the inhabitants of a Japanese fishing village; group psychotherapy methods used in the United States; animal testing for the effects of drugs; assisted fertilization in a Swedish clinic; a gay dance in London; heart surgery by American surgeon De Bakey; a dog fight in Japan; sex education for blind children in Sweden; military training for young Palestinians in Lebanon; contraceptive techniques taught in Sweden; state-managed abortion combined with female infertility treatment; a female priest celebrating Mass; a school for children with phocomelia: these are some of the themes explored in this mondo documentary.
Raffaello. Il mito e la modernità
Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.
A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.
Early "shockumentary", apparently shot in Egypt, which documents the habits of opium addicts. The interiors of drug dens are shown, and at the conclusion the film an addict is shown collapsing on a sand dune; the booming voice of the narrator informs us that the addict has perished. Footage used is from the silent film Dope Fiends.
"Why Do They Do It ?" preached that it was decent to be a sexual creature. A panel discussion in the Student Association as a kind of frame, you watch various so-called live shows and you met actors like Effie Schou, Søren Strømberg, Dale Robinson and Keld Rex Holm. A lot of attention was given to Bodil Joensen, a very pet-friendly young lady, who would like to enjoy a bull named Sofus.
A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.
Documentary on various horror movies that Joe D'Amato directed and/or produced in the 1970's, 1980's, and early 1990's.
A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.
One day, the tree is considered mature. In any case, it is exploitable for the industry. So, we mark it and then cut it down. With the chainsaw or the harvester, it depends. And then it becomes biomass, pallets, panels, pellets, crates, paper pulp for printing promotions. But what profit does man get from the pains he takes under the sun?
This documentary explores assorted "forbidden" topics from all over the world. Among the subjects depicted herein are a racy TV commercial for a female martial arts school, rowdy teenagers protesting a strict curfew on the Sunset Strip, an underground lesbian club in Geneva, a portable topless bar, and various strip acts from different parts of the globe.
In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.