The Films of Bruno Mattei

A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.

A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Domenico Dolce and Stefano Gabbana draw on the suggestions of Sicilian popular culture and the great iconic heritage of Italian Neorealist cinema, reinventing these twin sources of inspiration in a perpetually renewed code of endless stylistic contamination.

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.

Not My Life comprehensively depicts the cruel and dehumanizing practices of human trafficking and modern slavery on a global scale. Filmed on five continents, in a dozen countries, Not My Life takes viewers into a world where millions of children are exploited through an astonishing array of practices including forced labor, sex tourism, sexual exploitation, and child soldiering.

This Emmy award-winning documentary explores the deeply rooted psychological issues that victims of sex trafficking face on a daily basis at the hands of pimps and buyers. Through firsthand testimony of abuse from three survivors of the illicit sex trade, the complex nature of this form of modern-day slavery is revealed. Investigative interviews with leading experts provide further insight on what drives the industry, exposing misconceptions many of us harbor that allow sex trafficking to thrive.

A collection of numerous burlesque acts from the 1950s, including strippers, and cult character Betty Page introducing the acts.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Cousins Menahem Golan and Yoram Globus relive the creation, rise and fall of their independent film company, Cannon Films. This documentary recounts their many successes and discusses their eventual downfall.

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

Documentary on various horror movies that Joe D'Amato directed and/or produced in the 1970's, 1980's, and early 1990's.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

A former lawyer leaves everything behind to embark on the quest for a dinosaur-like animal supposedly living in Africa's unexplored forests.

A team of journalists investigate how human trafficking and child labor in the Ivory Coast fuels the worldwide chocolate industry. The crew interview both proponents and opponents of these alleged practices, and use hidden camera techniques to delve into the gritty world of cocoa plantations.

By means of a chronological arrangement of historical video material from the Istituto Luce archives, it tells the story of Fascist Italy's ambitions in Africa and the role they played in shaping fascist ideology and the stance of the fascist regime in the Western world at the height of the age of colonialism and aggressive European expansionism.

Inside DPD

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.