The Match

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

Blu animation takes a circular trip around a room

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

Anatomy of a moth

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

"My last image of Jonas."—Ken Jacobs

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Subnivean Snuff re-tells an historical environmental crime story. It explores human desires to manipulate ecosystems and their inhabitants. This short, animated film re-imagines a 1958 nature documentary which famously depicts the false suicide of a group of lemmings.

Be better and more beautiful than you were before.

An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.

A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

An experimental short from Oskar Fischinger

Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Bill struggles to put together his shattered psyche.

"Leiberg embarks on a search for the interaction between painting and improvised music, tinkering with sound collages sets language and sounds against each other (...) Leiberg works with real-movie sequences and uses his pictorial color and form vocabulary as a design element in the film. He primarily uses the resulting films in their capacity as a depot of moving light images in order to project them onto the bodies of dancers in the performances. (Christoph Tannert in "Gegenbilder", p. 39f;)