Reversing Roe

Set in a speakeasy in Atlanta, “Twenty” is a feature documentary about fifteen young people making it through 2020. The film is an observational time capsule that lays bare the raw reflections of a group of people surviving a year that will be seared into our generational memory.

Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.

Women have always sought ways to terminate unwanted pregnancies, despite powerful patriarchal structures and systems working against them. This film provides a historical overview of how church, state and the medical establishment have determined policies concerning abortion. From this cross-cultural survey--filmed in Ireland, Japan, Thailand, Peru, Colombia, and Canada--emerges one reality: only a small percentage of the world's women has access to safe, legal operations.

Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world

A portrait of Norma McCorvey, the “Jane Roe” whose unwanted pregnancy led to the 1973 case that legalized abortion nationwide, Roe v. Wade. The documentary unravels the mysteries closely guarded by McCorvey throughout her life.

Defying the state legislature that outlawed abortion, the Catholic Church that condemned it, and the Chicago Mob that was profiting from it, the members of “Jane” risked their personal and professional lives to support women with unwanted pregnancies. In the pre-Roe v. Wade era — a time when abortion was a crime in most states and even circulating information about abortion was a felony in Illinois — the Janes provided low-cost and free abortions to an estimated 11,000 women.

The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.

The film begins by showing images of the Holocaust, and stating that Hitler sanctioned the killing of 11 million people. This is followed by Comfort interviewing people about Adolf Hitler; their responses indicate a lack of historical knowledge, although he also finds a neo-Nazi who claims to love Hitler. Comfort proposes a hypothetical situation to his interviewees, asking if they would kill Hitler if they had the opportunity at that time in history. He asks more hypotheticals dealing with what his interviewees might do in other circumstances related to the Holocaust. He then switches his topic to make similar comparisons to abortion within the United States and the right to life, personalizing his arguments to make comparisons between the Holocaust and abortion in order to place the interviewees on the spot. The documentary concludes with Comfort stating that over 50 million abortions have occurred to date; he calls this the "American Holocaust".

In this documentary, 6 protagonists tell their personal experiences of abortion and sterilization, from unplanned pregnancy to a happy mother and vice versa from the wanted child to regretting motherhood.

A thought-provoking look at the subject of abortion today, told through the stories of women struggling with unplanned pregnancies, abortion providers and clinic staff and activists on both sides of this contentious debate.

The mother and daughter face the question of whether to keep the pregnancy or terminate it. Both are under pressure from relatives, friends, and doctors. Both are going through a difficult decision-making process. Each episode of the artistic part shows the life circumstances and the path that a woman in a crisis situation goes through. In documentary inserts, representatives of various professions (psychologists, lawyers, gynecologists, clergymen) tell how they face the problem of abortion in their lives.

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

Almost 200 million women are "missing" in Asia - the result of targeted abortion of girls and dubious population policies. An investigative documentary about women who are not allowed to have daughters, about desperate attempts by men to find a wife somewhere, and about the abuse of women as pawns of politics and business.

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

In Argentina, a woman dies every week as the result of illegal abortions. In 2018, for the seventh time, a motion supporting legal, secure and free abortion was presented to the national congress of Argentina. The project provoked a fierce debate, revealing a society divided more than ever between the pro-life and freedom to choose positions. Through an assemblage of passionate testimonies, Let It Be Law documents the determination of women fighting bravely to secure the right to physical self-determination, and bears witness to their massive mobilization in the streets of Buenos Aires.

Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.

At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.

What images do we associate with abortion and why? Where do these images and the emotional scripts in our head come from? How do they influence women who (want to) have an abortion, how do they shape the general discussion? Franzis Kabisch’s personal desktop documentary investigates these questions with great precision, clarity and humour (yes, humour, too!).

In the fall of 2009, Lindsay Ellis, a 26-year old graduate student, went through the painful process of having an abortion. “The A-Word” follows Ellis as she opens up to her family and organizations from both sides of the debate, in search of healing. This is not a film about the protests and debates wrapped up in religious views and political agenda, but rather a personal journey about one woman’s struggle to shed the stigma attached to the A-word in hopes of starting a dialogue.

Women talk about the circumstances that drove them to seek illegal abortions and the often traumatic result. Interwoven with historical photographs and newsreel footage, the stories expose how the reality of women's lives were counterposed to what was socially and morally expected of them.