DAS ES

Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.

Vanity

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

Short film about the GDR state border

A glimpse of life as seen through young people at a Zimbabwean children's home.

Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?

Hinter dem Vorhang: Das Geheimnis Vermeer

A documentary on the Pitiquito temple.

No figure in recent sports history is as divisive as Jose Canseco. Millions of baseball fans remember him as the powerhouse slugger who earned one of the sport's rare statistics: 40/40. But millions more remember him as the whistleblower whose admission to steroids juicing exposed a scandal that overshadowed his remarkable career and led to the Congressional hearings that cast a pall over America's greatest pastime, baseball. Now, Jose finally speaks out. What emerges is a nuanced portrait of a man driven by grief and a promise made. Only time will tell whether history remembers Jose Canseco as a legend, a whistleblower or a scapegoat. But this candid documentary will leave audiences convinced of one inescapable fact. The Truth Hurts.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Fragments 83 rediscovers—and repurposes—Richard Millen 1983 experimental film If You Can’t Be with the One You Love, shot in Brooklyn and the West Village in the early days of the AIDS epidemic. The resulting documentary explores the hunt for sex/love, the joy of making cinema, and the inexorable passage of time.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Home movie from Man Ray with a view of his home/gallery

Home movie from Man Ray while on vacation with Pablo Picasso, Paul, Nusch and Cecile Eluard, Emily Davies, Valerie and Roland Penrose. The friends have fun with themselves and performing for the camera.

Very brief view of Man Ray and his friend Ady Fidelin while at a seaside resort

Home movie from Man Ray featuring dancer Jenny gyrating in black and white.

A late period home movie with Man Ray and his lovely friend Juliet Browner lounging together in the US. Man Ray had returned to America when the Germans occupied France.

Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.