Les trésors des ambassades parisiennes
The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.
This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.
Every fall, The Center for Cartoon Studies invites 20 aspiring cartoonists to White River Junction, Vermont for a no-holds-barred education in comics. Those who complete the two-year program earn a Master of Fine Arts degree and are ready to face the hardship of a career in one of the world's most drudgery-inducing art forms. This is their story.
Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.
The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.
The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
A portrait of Spanish comic book author Paco Plaza.
Angkor et Les Mystères de L'Empire Khmer
Olev Subbi (1930–2013) was one of the most significant painters of the second half of the 20th century. His art constantly strived for harmony and beauty, reviving lost memories. This documentary reconstructs the environments of his paintings, features interviews with artists and Subbi’s contemporaries, and incorporates archival footage, creating a multilayered perspective on the life and work of this remarkable artist.
An account of the life and work of the multidisciplinary Spanish artist Mariano Fortuny Madrazo (1871-1949), textile and fashion designer, set designer, photographer, painter and engraver, known as the Leonardo Da Vinci of the 20th century.
We immerse ourselves in a quest for the origins of Art, among the very first modern humans. The prehistoric works, of incredible richness and diversity, tell a story of beauty and the species. Researchers, including archaeologists, but also art historians, philosophers and contemporary artists, enrich our view of prehistoric art with their different, but also complementary, points of view on the subject.
An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.
Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Goya, tiempo y recuerdo de una época
An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.
Sulawesi - Am Anfang war die Höhlenmalerei
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
This documentary offers a deep, candid, and historical look at the Christian experience of America's largest and best-known tribes: the Dakota and Lakota. Its exploration into Native American history also takes a hard and detailed look at President Ulysses S. Grant's Peace Policy of 1873, which was, in effect, a "convert to Episcopalianism or starve" edict put forth by the American government in direct violation of its Constitution. The devastation it had on the values of the people affected were dramatic and extremely long-lasting. Grant's policy was finally ended over 100 years later by the Freedom of American Indian Religions Act in 1978. Interlaced with extraordinarily candid interviews, this documentary presents an insider's perspective of how the Dakota and Lakota were estranged from their religious beliefs and their long-standing traditions.