Me, Dorothy...and This Road To Oz

Dance for All

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Three days leading up to Tiler Peck's direction and performance of a ballet exhibition in Los Angeles.

THE SLIPPERS pulls back the Wizard’s curtain on the unbelievable story and cultural impact of Dorothy's Ruby Slippers from The Wizard of Oz.  Through first-hand accounts and archival interviews, THE SLIPPERS will detail the life of the Ruby Slippers after their sale at the famed 1970 MGM auction. Discovered by costumer Kent Warner, it is unclear how many pairs were found and how many pairs exist. That mystery has only helped to propel the shoes to the forefront of the Hollywood memorabilia market. They have been bought, stolen, and coveted by many. They are considered the most important piece of Hollywood memorabilia and the catalyst for the creation of Hollywood memorabilia collecting.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

An insight into the life of the world's most famous male dancer, Rudolf Nureyev.

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

Facing financial challenges and constant risks of injury, an innovative ballet company strives to bring the iconic Canadian story of Anne of Green Gables to new diverse audiences.

Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.

It is well known in economics academia that The Wonderful Wizard of Oz written by L. Frank Baum in 1900 is loaded with powerful symbols of monetary reform which were the core of the Populist movement and the 1896 and 1900 president bid of Democrat William Jennings Bryan. The yellow brick road (gold standard), the emerald city of Oz (greenback money), even Dorothy’s silver slippers (changed to ruby slippers for the movie version) were the symbol of Baum’s and Bryan’s belief that adding silver coinage to gold would provide much needed money to a depression-strapped, 1890s America. We believe Baum’s symbols represent the only solution to relieve the growing economic hardship here in America – and the rest of the world. Practically speaking, 2009 marks the 70th anniversary of the 1939 MGM release of the The Wizard of Oz movie, so interest will be very high. Even Oz websites put up by kids get millions of hits.

Ballet Boys takes you through disappointments, victories, forging of friendship, first loves, doubt, faith, growing apart from each other, finding your own way and own ambitions, all mixed with the beautiful expression of ballet.

A documentary about dancer Heinz Bosl who died in 1975 - aged 28.

Giulia Tonelli, principal dancer at the Zurich Opera House, returns from maternity leave. She has to fight to find her place and a new balance, between the competitive and extremely demanding world of an elite ballet company and her new family life.

The last eight surviving Munchkins from The Wizard of Oz share their memories in this 1993 documentary hosted by Oz historian John Fricke.

A classic Hollywood whodunnit mystery. “Who Stole the Ruby Slippers?” is an investigative look into the 2005 theft of an original pair of ruby slippers worn by Judy Garland in the classic film “The Wizard of Oz”.

In early 2013, it was announced that choreographer and dancer Benjamin Millepied, known as the man behind the ballet of Black Swan, would take over as director of the Paris Opera Ballet. Reset finds Millepied on the eve of his first gala with the Opera, designing and refining his inaugural choreography for the esteemed institution. As a film, Reset possesses of the same artistic assuredness as its subject as he blocks out the preliminary steps for his choreography. It explores various concepts of space simultaneously: the digital space, the space of the opera house (each scene opens with a declaration of which studio it’s in) and the space of the stage, the distance from stage right to stage left. It’s a portrait of a watershed moment for one of the ballet's oldest institutions and one of its brightest new stars, both on the cusp of great transition.

In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.

September 2015 marks the 300th anniversary of the death of King Louis XIV of France and this documentary looks at how Louis XIV not only had a personal passion and talent for dance, but supported and promoted key innovations, like the invention of dance notation and the founding of the world's first ballet school, that would lay the foundations for classical ballet to develop.

A tribute to the characters and makeup artists from the Wizard of Oz, as performed and created by some of the top makeup people in Hollywood. On September 12, 1998, a group of top makeup artists gathered in Studio City, CA, to pay tribute to Jack Dawn and his team from the seminal 1939 classic, The Wizard of Oz.

When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).